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    <loc>https://confluence-of-cult.com/reviews/review-metamorphosis-the-alien-factor-1990</loc>
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    <lastmod>2024-09-30</lastmod>
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    <loc>https://confluence-of-cult.com/reviews/review-pater-noster-and-the-mission-of-light-2024</loc>
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    <loc>https://confluence-of-cult.com/reviews/review-mosquito-1995</loc>
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    <lastmod>2023-07-01</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-slime-city-1988</loc>
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    <lastmod>2023-03-10</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-demon-queen-1987</loc>
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    <lastmod>2022-06-17</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-girls-nite-out-1982</loc>
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    <lastmod>2022-06-08</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-curious-dr-humpp-1969</loc>
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    <lastmod>2022-06-01</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-ninja-empire-1987</loc>
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    <lastmod>2022-05-26</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-goremet-zombie-chef-from-hell-1986</loc>
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    <lastmod>2022-05-19</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-darkness-1993</loc>
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    <lastmod>2022-05-14</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-video-violence-1987</loc>
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    <lastmod>2022-05-11</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-fortress-1985</loc>
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    <lastmod>2022-05-11</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-live-like-a-cop-die-like-a-man-1976</loc>
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    <lastmod>2022-05-08</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-devil-story-1986</loc>
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    <lastmod>2022-05-03</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-ninja-2009</loc>
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    <lastmod>2022-05-02</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-blood-lake-1987</loc>
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    <lastmod>2022-04-29</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-night-of-the-demon-1980</loc>
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    <lastmod>2022-04-27</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-erotic-rites-of-frankenstein-1972</loc>
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    <lastmod>2022-05-01</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-premutos-the-fallen-angel-1997</loc>
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    <lastmod>2022-05-01</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-auntie-lees-meat-pies-1992</loc>
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    <lastmod>2022-05-01</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-boardinghouse-1982</loc>
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    <lastmod>2023-01-01</lastmod>
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    <loc>https://confluence-of-cult.com/reviews/review-flesh-for-frankenstein-1973</loc>
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    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-elves-1989</loc>
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    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-sorority-house-massacre-1986</loc>
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    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-mutilator-1984</loc>
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    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-barn-2016</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-screamers-1981</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-creepozoids-1987</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-ticks-1993</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-wnuf-halloween-special-2013</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-frankensteins-army-2013</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-fetus-2008</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-cryptic-plasm-2015</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1631156215159-H0DPX0IQMJGI03PG0SXR/ratings_cryptic-plasm.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-dark-night-of-the-scarecrow-1981</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1630877026901-2Z4PHBPZAT6CZG0QLCCC/review_dark-night-of-the-scarecrow.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-in-the-earth-2021</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-feeders-1996</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-theres-nothing-out-there-1991</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1630296060018-ZL2EH9SKCO7ZLCPLZUAM/ratings_theres-nothing-out-there.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-borrower-1991</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1629998923810-CWID7H7MX5YD28ZGDHGJ/ratings_borrower.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-nightmare-city-1980</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1629603048166-NR2RO8M14UPNJ5A7C8ZE/ratings_nightmare-city.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-pin-1988</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1629428538539-27L6SVZ3JQZW7FRKA4SH/review_pin.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-mad-doctor-of-blood-island-1969</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1629216456476-WBSGMHJ0KDQTEYTEJTIO/review_mad-doctor-of-blood-island.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-cannibal-apocalypse-1980</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1628828991387-CNY9JVLAOG4QZ51G5QNO/ratings_cannibal-apocalype.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-last-cannibal-world-1977</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1628742403854-J63PKAAMKXW4UGDTBEAW/ratings_last-cannibal-world.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-vault-of-horror-1973</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-manitou-1978</loc>
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    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-jug-face-2013</loc>
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    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-empty-man-2020</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-scanner-cop-1994</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1627788902328-HEIC8MH1JB4JSWHYNIFK/ratings_scanner-cop.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-skinner-1993</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1627532424671-89CSO1ND5JN6Q5WCUX4I/ratings_skinner.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-blood-hook-1986</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1627271884867-S8JQGDD7COJ3Y80O0IEV/ratings_blood-hook.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-wax-mask-1997</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1626928847434-JWU4AP4PS8D3IOJQ1PW3/ratings_wax-mask.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-boogens-1981</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1626641968910-6RIVSTV431XHRGJT859U/ratings_boogens.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-doom-asylum-1987</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1626403455846-8WL9YMRXAKWABGP38MHH/review_doom-asylum.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-weasels-rip-my-flesh-1979</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1626237455912-K9UBTTQ7RAL6IWLN34Z1/ratings_weasels.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-man-thing-2005</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-16</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-pumpkinhead-1988</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625845704475-Q82K1DVR92EJN8OA3JCO/review_pumpkinhead.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-return-of-the-living-dead-part-ii-1988</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625717936829-STRCX02HAE37XCHHE421/ratings_ROTLD_II.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-near-dark-1987</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625369714308-VU6LRL8MQCJ54HZ4CZFK/ratings_near-dark.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-a-night-to-dismember-1983</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625107179100-ULAGRFQP33GMRVG3O0SK/review_night-to-dismember.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-night-killer-1990</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1624848504064-17ZAW6YZ654N4RH60YS0/review_night-killer.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-they-dont-cut-the-grass-anymore-1985</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1624679402057-YBBDQIOISV7VPXZM3QXU/ratings_TDCTGA.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-cellar-dweller-1988</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1624641106737-88XTUZLHYC04LNHR967Y/review_cellar-dweller.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-hobgoblins-1988</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1624417884306-B3JE90LU6B2OJIJFQQYO/review_hobgoblins.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-robowar-1988</loc>
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    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-hell-of-the-living-dead-1980</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-dead-next-door-1989</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1623691590841-6KU4EMDEKMZU3AEITEB4/review_dead-next-door.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-abomination-1986</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1623621015692-YZ0YQ5O3BHLQC46OIY5I/ratings_abomination.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-final-exam-1981</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1623386188357-3LD0V6GELTMOFGTZ7JZF/ratings_final-exam.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/hallucinations-1986</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1623293647312-XWQS6HIICI93FER2Q521/review_hallucinations.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-day-of-the-dead-1985</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1623036707063-I6GJZ41RTCG2ER377J2S/review_day-of-the-dead.png</image:loc>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-immortalizer-1989</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1622828518629-GFRR13KTB4AA1IVN2S8D/review_immortalizer.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-slayer-1982</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1622692523176-9Q5DFJC4K5Q6A5Y49SSA/ratings_the-slayer.png</image:loc>
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  <url>
    <loc>https://confluence-of-cult.com/reviews/review-dawn-of-the-dead-1978</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1622572847465-90V6LODV8F1529F75ZDA/review_dawn-of-the-dead.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-spookies-1986</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1622519222338-2Y2ZK9EC0YDB5N9QAQAD/ratings_spookies.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-spellcaster-1992</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-pod-2015</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-resurrected-1991</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1622003793772-98LDOHI73A4QKSPKRKPP/ratings_resurrected.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-death-spa-1989</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621876880300-OBBZUQOCVYHQ6GP5QR5O/review_death-spa.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-black-roses-1988</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621831956025-CFQHK6UL646EVDFD8TDL/ratings_black-roses.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-the-sect-1991</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621487049306-HUSX31CV5EI04J5YCFUL/ratings_the-sect.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-fatal-exam-1990</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621305337415-6NG0NGQ43NF5I6VG2KEF/review_fatal-exam.jpg</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-shadow-in-the-cloud-2021</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621225997308-HPCAO3YPDEW7RAXVZ3IO/ratings_shadow-in-the-cloud.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-dead-and-buried-1981</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621189776687-IMD2F0ES6S4CHCCORM4T/ratings_dead-and-buried.png</image:loc>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/reviews/review-beyond-dreams-door-1989</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1620964577605-6VP0LFW37RYGXUBJ59JO/review_beyond-dreams-door.jpg</image:loc>
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  <url>
    <loc>https://confluence-of-cult.com/list-lair</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-04-09</lastmod>
  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-comfort-horror-movies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625522167761-MYU99NBOQDEJUSKLFAIC/list_comfort_the-fog.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 5. The Fog (1980; dir: John Carpenter)</image:title>
      <image:caption>The Thing is my favorite flick from John Carpenter, but it’s a bit bleak to watch often. Whenever I’m in the mood for JC, I tend to put on what is probably his most eerie film, The Fog. There’s not much to this campfire tale of ghostly pirates, and it founders a bit at the end, but its atmospherics are as thick as the titular mass of precipitation. You can smell the sea through the screen and feel the fog horns reverberate in your head. And any cast that includes Jamie Lee Curtis, Adrienne Barbeau, Tom Atkins, and Hal Holbrook can’t possibly be anything remotely unwatchable. Seaside horror is one of my very specific loves in the genre, and Carpenter nails that aura here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625522617314-9M7UOF8YNJIMEHQ0NR35/list_comfort_jaws.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 2. Jaws (1975; dir: Steven Spielberg)</image:title>
      <image:caption>Of course, I’m not alone in thinking Jaws is a perfect movie. It pretty obviously is, thanks to Steven Spielberg’s uncanny sense of suspense, forged through skill and circumstance, the terse chemistry between its three stars, John Williams’ unforgettable music, and the plethora of moments that have deeply permeated pop culture. For many folks, Jaws forever steered them away from the ocean, but every time I watch it, I instantly pine for summer and the sea. Jaws invigorates my senses in a way few horror movies do, and it’s not fear. As crazy as it sounds, I want to be floating in the Orca, drinking beers, swapping stories, and listening to the gulls overhead. I’d skip the chumming, though.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625522821062-GQ0E108YQGLWONH7VEM3/list_comfort_wwdits.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 10. What We Do in the Shadows (2014; dirs: Jemaine Clement, Taika Waititi)</image:title>
      <image:caption>Although it was eventually overshadowed (pun of course intended) by the brilliance of the show on FX, which has the space and time to better develop its characters, the original movie by New Zealand duo Jemaine Clement and Taika Waititi is still absolutely hilarious and may be the most joke-dense horror movie in existence. It’s my go-to any time I’m feeling drab and humorless, because it instantly revives my ability to laugh so hard I snort. This film is such a keen mix of genre satire, absurdity, heart, and genuine love for what its skewering that you can’t help but have your pants charmed off by it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625521603462-CE4V7UL2TJ1STKK9M7YI/list8_spookies.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 9. Spookies (1986; dirs: Brendan Faulkner, Thomas Doran, Eugenie Joseph)</image:title>
      <image:caption>There’s no other way to spin it: Spookies is a goddamn mess of epic proportions, thanks to a production fraught with squabbling, money and time shortfalls, and a few terrible ideas. But it’s also rich in creativity, ingenuity, and monsters of all sorts. Spookies is so drenched in imaginative creature effects and ‘80s atmosphere that it’s incredibly easy to overlook its garbled plot and flat characters. Every time I watch it, I’m instantly transported back to a childhood spent exclaiming, “How’d they do that??” every time a monster slithered on screen. I mean, in this case, you can literally see the puppeteers on camera at times, but never you mind!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625522952995-GH2HMJNVT04RB3OMMGHZ/list_comfort_jason-lives.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 8. Friday the 13th VI: Jason Lives (1986; dir: Tom McLoughlin)</image:title>
      <image:caption>One of my favorite “You’re so fucking sneaky!” maneuvers as a kid was staying up late and watching Friday the 13th marathons on cable after my parents had gone to bed. As a gateway to the larger genre, the franchise is packed with nostalgia. And the sixth entry in the series, although not my favorite as an adult, best embodies what I loved about them at the time: Jason’s rotting and gross and obviously not human, there’s lots of moody rain and misty forest, it’s got some gnarly kills, and yet it’s not so grim that it terribly warped an 10-year-old watching stuff he definitely shouldn’t have been watching. It’s perhaps the most “fun” entry and the one I watch for a quick fix of Camp Crystal Lake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625521492787-XCKJT3GYC3Z0XXD4XZVV/list_anthology_creepshow.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 3. Creepshow (1982; dir: George A. Romero)</image:title>
      <image:caption>Creepshow is the perfect marriage of the talents of George A. Romero and Stephen King. Both have similarly sincere sensibilities that infuse their at times very dark and visceral brands of horror with an undercurrent of youthful energy and wonder. King is a well-known fan of the Ramones, and this movie has the same unpretentious, unassuming synthesis of adult themes that Joey, Dee Dee, Tommy, and Johnny channeled in their music. Its unique spirit combines with its striking aesthetic and memorable gore to result in an extremely rewatchable movie that goes goes down easy and never fails to satisfy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625547168646-78BR0OVAHJ18ZK6YTOJJ/thumb_jaws.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625522384138-IF86KB5GV9LMHGWUXGQ3/list_comfort_dark-night.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 6. Dark Night of the Scarecrow (1981; dir: Frank De Felitta)</image:title>
      <image:caption>Every September, this made-for-TV joint is the first movie I put on to welcome the Halloween season. It’s got a perfectly autumnal atmosphere, lush with corn stalks swaying in rain-tinged breezes and hues of orange and yellow, mixed with the fading dusts of summer. It’s maybe a little disappointing that it’s not actually a supernatural killer scarecrow flick like its marketing strongly suggests, but that doesn’t mean it’s any less spooky. Larry Drake is a very sympathetic lead and Charles Durning is the perfect small-town scumbag whose comeuppance you’re happy to welcome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625521526916-24M8UW8BODLUNOE6OZXJ/list_space_aliens.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 1. Aliens (1986; dir: James Cameron)</image:title>
      <image:caption>By nearly every measure, Ridley Scott’s Alien is a superior movie to James Cameron’s sequel. But it’s also dreary, cold, and very deliberately paced, which means I ain’t often in the mood to watch it. Aliens adds some extremely effective action set pieces, very memorable supporting characters, a lean, efficient plot, and state-of-the-art special effects to create something that lends itself to uncountable revisits. It’s also the first horror movie I ever saw, or at least the first one my memory can recall. It’s woven its way into the fabric of my existence in a way only a couple of other movies have (Big Trouble in Little China and Beetlejuice are the others, if you must ask). Aliens is the ultimate fallback when my scrambled brain can’t settle on anything else.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625522296039-RG8SAN05UQU1Y1DF34J8/list_comfort_gate.png</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 7. The Gate (1987; dir: Tibor Takács)</image:title>
      <image:caption>Like Spookies, The Gate perfectly distills what the horror-curious kid wants out of their spook-flicks, except it does it with competence, finesse, and a little more kindertrauma. And it’s a two-fer if you also loved heavy metal, since it swirls in a bit of Satanic panic. There’s a metal album that frees demons from the earth, there are kid heroes, there’s great stop motion animation, there are monsters of all sizes, there are goopy, memorable deaths, and it literally takes place during a sleepover, so it’s a perfect sleepover flick. It’s all the shit my friends and I were up to back then, minus the summoning of old gods intent to enslave and/or destroy humanity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1625522462821-57R0IF6YPUUOMMY4WLT5/list8_terror-vision.jpg</image:loc>
      <image:title>List Lair - Top 10 Comfort Horror Movies - 4. TerrorVision (1986; dir: Ted Nicolaou)</image:title>
      <image:caption>TerrorVision is the origin of some of my earliest memories of horror, especially the image of grandpa’s goo-lathered head attached to an alien tentacle. Even when I was too young to really understand what the fuck was going on in this zany flick, I really dug its acid-tinged music video vibe, replete with neon spandex, headbands, banana hammocks, ample curls, mullets, Cold War paranoia, consumerist fetishism, and of course slimy monsters and gore. TerrorVision is the entirety of the 1980s encapsulated in 83 minutes of special effects mayhem, and I am always down for it.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-horrors-in-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621573816835-3YE4ESAF0H5R6IHYLF5F/thumb_aliens.jpg</image:loc>
      <image:title>List Lair - Top 10 Horrors in Space - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621566274371-IR27QSDHD59D0HSV29GJ/list_space_event-horizon.jpg</image:loc>
      <image:title>List Lair - Top 10 Horrors in Space - 6. Event Horizon (1997; dir: Paul W.S. Anderson)</image:title>
      <image:caption>When I first saw Event Horizon in the theater, it kind of blew my teenage mind. It showed up during a pretty dry patch for the genre, when theatrical horror was starting to go down the self-aware road paved by Wes Craven’s Scream. But here was Paul W.S. Anderson, prior to ruining his name with a thousand Resident Evil films, putting out what was essentially Hellraiser in space just a few years after the Hellraiser franchise itself failed to do the space thing (see: Bloodline). Filled with nightmarish imagery and a pretty good cast, this movie is one of the better theatrical releases to emerge from the ‘90s. In retrospect, it feels quite a bit heavier on style than substance, but it’s still very solid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621566869141-B5E0KS1P3CNVAA6RZ8TW/list_space_life.jpg</image:loc>
      <image:title>List Lair - Top 10 Horrors in Space - 4. Life (2017; dir: Daniel Espinosa)</image:title>
      <image:caption>Everything about Daniel Espinosa’s big-budget killer martian flick is unassuming except its cost and cast: The title is incredibly dull; its plot is lifted from a hundred Alien ripoffs; the alien itself is an amorphous, indistinct thing that vaguely resembles a facehugger; and even the high-profile cast portends a movie that’s going to play it safe. But this is a surprising little gem: it’s vicious, it’s not afraid to brutally kill off its stars, it’s fast-paced and tense the whole way through, and it’s got a cruel, Tales from the Crypt-style ending to rival The Mist (2007). It’s way better than you’d ever expect.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1621566473297-OAJ9LTKZ8PZXVQ3AI6OK/list_space_saturn-3.png</image:loc>
      <image:title>List Lair - Top 10 Horrors in Space - 9. Saturn 3 (1980; dirs: Stanley Donen, John Barry)</image:title>
      <image:caption>Hey, it’s another frequently belittled movie with a director that was fired and replaced midway through production. Like, Hellraiser: Bloodline, Saturn 3 didn’t turn out the way anyone had planned. Though the cast basically comprises just three actors, all three were pains in the ass in their own way, making filming incredibly difficult. The screenplay was rewritten extensively. The director who finished the film didn’t like science fiction and had mainly worked on musicals. But despite literally every aspect of this film being a giant mess, it manages to be interesting and produce a few really unsettling moments, and its eccentricities impart a unique flavor.</image:caption>
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      <image:title>List Lair - Top 10 Horrors in Space - 7. Forbidden World (1982; dir: Allan Holzman)</image:title>
      <image:caption>Forbidden World is another in a huge glut of space-based horror movies intended to cash in on the success of Alien. There’s not much here in terms of haughty things like plot, characterization, symbolism, or nuance, but, as one might reasonably anticipate from a Roger Corman flick from this era, there is a plethora of titillation. Sure, it’s generously filled with the requisite ooey-gooey gore and gratuitous nudity, but Forbidden World is also surprisingly artistic in spots, positioning it slightly above the fray. It checks a lot of satisfying boxes, even if “originality” isn’t one of them.</image:caption>
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      <image:title>List Lair - Top 10 Horrors in Space - 1. Alien (1979; dir: Ridley Scott)</image:title>
      <image:caption>Horror movies really don’t get better than Ridley Scott’s 1979 masterpiece, and it just happens to be set in space. Though Scott’s direction is of course superb, and the film is expertly paced to ratchet intensity before revealing its monsters, the vital organs of the movie are Sigourney Weaver as Ripley, a character who embodies the agency women should have had in film all along, and the production design of H.R. Giger. Giger’s retro-futuristic biomechanical designs were stunningly unique at the time and have since informed the aesthetic of dozens and dozens of imitators.</image:caption>
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      <image:title>List Lair - Top 10 Horrors in Space - 2. Aliens (1986; dir: James Cameron)</image:title>
      <image:caption>There are very few movies I’ve watched more than James Cameron’s entry for the Aliens franchise. It’s essentially a perfect movie, with its stellar casting and memorable characters, the xenomorphs (perhaps the pinnacle of creature design in film), its nonstop action and extremely effective set pieces, James Horner’s wonderful score, and just really fantastic production design. It solidified Ellen Ripley as one of the genre’s most enduring heroes. It would be at the top of any list of extraterrestrial horror if it weren’t a sequel to the space horror movie that inspired a hundred clones.</image:caption>
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      <image:title>List Lair - Top 10 Horrors in Space - 3. Lifeforce (1985; dir: Tobe Hooper)</image:title>
      <image:caption>This one’s a slight cheat, since about two-thirds of the movie takes place on Earth. But a good portion does occur off planet, so here it is. Though Lifeforce is not often cited among Hooper’s best movies, it’s my favorite besides The Texas Chain Saw Massacre. It’s a very creative and ambitious flick about space vampires with a lot of really fun practical effects, that kicked off Hooper’s really interesting but financially disastrous three-picture deal with Cannon. And it’s impossible to talk about this movie without mentioning that the absolutely gorgeous Mathilda May is completely naked for the entire thing.</image:caption>
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      <image:title>List Lair - Top 10 Horrors in Space - 10. Hellraiser: Bloodline (1995; dirs: Kevin Yagher, Joe Chappelle)</image:title>
      <image:caption>This sequel is often shat upon, but it’s stuffed with intriguing ideas about how the cenobites might function in a distant future. The film (sometimes poorly) balances three timelines in the past, present, and future, attempting to lay out the complex history of LeMarchand’s puzzle box. I might be alone, but I consider it one of horror’s greater tragedies that original director Kevin Yagher wasn’t allowed to complete the film on his terms. But as it exists, Bloodline is a fascinating mess with some spectacularly grotesque effects work and a provocative attempt to spin the franchise in a new direction.</image:caption>
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      <image:title>List Lair - Top 10 Horrors in Space - 8. Creature (1985; dir: William Malone)</image:title>
      <image:caption>There’s really no gentle way to spin this: Creature is a cheap imitation of Ridley Scott’s Alien (1979). But William Malone’s much smaller-budget film does a lot of things, if not well, at least interestingly. Its murky, drab aesthetic works to build its modestly effective scares and the alien looks kind of cool, even though it’s just a more lumbering incarnation of H.R. Giger’s design. Klaus Kinski is the standout, though. He’s doing some kind of crazy performance here that really adds some colorful insanity. Diane Salinger also provides a unique screen presence. All in all, this is a very satisfying ‘80s monster movie.</image:caption>
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      <image:title>List Lair - Top 10 Horrors in Space - 5. Sunshine (2007; dir: Danny Boyle)</image:title>
      <image:caption>Not long after their success with 28 Days Later (2002), director Danny Boyle and star Cillian Murphy teamed up again for this less-lucrative psychological horror film. Its captivating premise — a crew of scientists are sent to reignite the sun after it starts burning out, leaving humanity facing imminent extinction — is leveraged mostly as a straightforward sci fi movie until it turns horrific in its final third, when the weight of the crew’s mission begins to take its toll. But Boyle and company do a fine job illustrating the maddening solitude of space compounded with the immense responsibility for humanity’s survival.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-horror-anthologies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:title>List Lair - Top 10 Horror Anthologies</image:title>
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      <image:title>List Lair - Top 10 Horror Anthologies - 9. V/H/S/2 (2013; dir: Various)</image:title>
      <image:caption>The V/H/S series helped revitalize interest in portmanteau films in the 2010s, but the second entry is where it hit the hardest. There’s no denying the bloody shock and awe of Gareth Evans’ “Safe Haven” segment, documenting the final, gore-drenched day of a suicide cult. But all the stories — featuring indie horror talent like Adam Wingard, Eduardo Sánchez, and Jason Eisener — are entertaining in their own way, and the vague wraparound is pretty unsettling.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 7. Twilight Zone: The Movie (1983; dir: Various)</image:title>
      <image:caption>This may have had the most troubled production of all the movies on this list. It’ll always be haunted by the on-set (and, morbidly, on-camera) deaths of Vic Morrow, Myca Dinh Le, and Renee Shin-Yi Chen, but there were reportedly also creative frustrations abound. Twilight Zone: The Movie earns its place on the list via its absolutely terrifying adaptation of “Nightmare at 20,000 Feet,” but the wraparound is also very effective and the rest of the stories aren’t too bad, even if they’re not all exactly horror.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 10. Tales of Halloween (2015; dir: Various)</image:title>
      <image:caption>This is a relatively new entry to the horror anthology pantheon, but it’s one that’s grown on me over the years since its release. This mean flick is packed with 10 relatively short segments that focus primarily on a a quick setup to a darkly comedic punch line, though a few of the stories aim for more serious scares. Like most anthologies, this is super uneven, but segments by Dave Parker (“Sweet Tooth”), Darren Lynn Bousman (“The Night Billy Raised Hell”), Adam Gierasch (“Trick”), and Mike Mendez (“Friday the 31st”) make this a fun movie I like to revisit every October.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 5. Tales from the Crypt (1972; dir: Freddie Francis)</image:title>
      <image:caption>This anthology, based on stories from various EC Comics, is peak Amicus Productions. Featuring the considerable talents of Peter Cushing, Joan Collins, Nigel Patrick, and Patrick Magee, this British film feels very old-fashioned, yet with a mean-spirited edge. Though the wraparound segment isn’t particularly effective, each of the stories proper is morbidly satisfying. Cushing’s fantastic, sympathetic performance and a slender, darkened maze with razor blade-embedded walls are immortal.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 4. Trick ‘r Treat (2007; dir: Mike Dougherty)</image:title>
      <image:caption>Dougherty’s anthology is basically Halloween in film form. It’s a perfect distillation of all the things you associate with the season (orange, black, pumpkins, falling leaves, ominous breezes, costume parties, candy, mischief, ghosts, ghouls) all in one well-directed package. Trick ‘r Treat is so cohesive that it’s almost not an anthology; all of the segments tie together perfectly and pay off one another nicely as part of one larger story. It’s at once gruesome and innocent, making it a satisfying watch for adults and more adventurous children, or adults forever chasing the Halloweens of their youth.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 2. Tales from the Darkside: The Movie (1990; dir: John Harrison)</image:title>
      <image:caption>I’m going to be honest: Tales from the Darkside might be this high primarily out of nostalgia: It was my first anthology. As a monster-loving kid, “The Lover’s Vow” made a huge impression on me. It might be my favorite segment in any anthology; it perfectly marries tragedy, horror, gore, atmosphere, and creature spectacle. The other two stories (“Lot 249” and “Cat from Hell”) are great, as well, and easily could be the standout in most other anthology films. The wraparound is mostly perfunctory (but it’s always lovely to see Debbie Harry). This movie is one of the best anthologies at balancing storytelling, special effects, and satisfying twists.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 3. Asylum (1972; dir: Roy Ward Baker)</image:title>
      <image:caption>This is another anthology from Amicus Productions. As with the previous film on this list, Asylum works really well as a cohesive piece, since all of the segments are based on short stories by Robert Bloch, who also wrote the screenplay. There’s a pervasively foreboding and engrossing atmosphere, punctuated by some very unsettling moments. Like Tales from the Crypt, this is old-fashioned horror at its best, again showcasing the wonderful talents of Brits like Peter Cushing, Charlotte Rampling, and Herbert Lom.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 6. Creepshow 2 (1987; dir: Michael Gornick)</image:title>
      <image:caption>There’s a lot of hate out there for Creepshow 2, which is unfortunate. Sure, it’s meaner and less fun than George A. Romero’s original, but the wraparound is ‘80s horror nostalgia personified, and “The Raft” and “The Hitchhiker” are morbid classics. (“Hey lady, thanks for the ride!” is a staple of my nightmares.) “Old Chief Wood’nhead” has a lot of problems, but it’s mostly amusing despite its now-cringey casual racism. But you are left wondering why Wood’nhead didn’t do a damn thing to prevent the murders of the kindly old white folks.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 8. The Mortuary Collection (2020; dir; Ryan Spindell)</image:title>
      <image:caption>And we’re back to new Halloween-centric anthologies with Ryan Spindell’s macabre flick. The Mortuary Collection is remarkably consistent; all of the tales, which are divergent in subject matter and scare “category,” take place in the same town, Raven’s End. This setup allows writer/director Spindell to insert a lot of small details that give the town a lived-in feel that really resonates. Raven’s End seems like a place that really exists, haunted by spirits of all kinds. This film is funny, scary, and well-told, and Clancy Brown is fantastic as the mortician. This is a very old-school movie jazzed up for a modern audience, and it’s wonderful. It’s only this low because I want to see if it holds up over time. I can easily imagine it cracking the top five in the future.</image:caption>
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      <image:title>List Lair - Top 10 Horror Anthologies - 1. Creepshow (1982; dir: George A. Romero)</image:title>
      <image:caption>Is there even another option here? Creepshow is the perfect anthology. It’s visually interesting, with an aesthetic that’s inspired horror films for almost 40 years now. Each story is unique and offers a different sort of horror, whether visceral or psychological, whether you’re afraid of monsters or loneliness or bugs or the horrors behind closed suburban doors. Though it was not my experience as a kid, the wraparound story speaks to many horror fans who grew up with these movies as a refuge from difficult childhoods, and that’s pretty powerful stuff.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-european-horror-movies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-09</lastmod>
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      <image:title>List Lair - Top 10 European Horror Movies - 1. City of the Living Dead (1980; dir: Lucio Fulci) Country: Italy</image:title>
      <image:caption>This spot could have easily gone to The Beyond, but I personally love Fulci’s first film in the Gates of Hell trilogy just a bit more. It’s filled to the gory brim with eerie dread, guts, and the best music in the annals of the horror genre, courtesy of the maestro Fabio Frizzi. The best zombie movies are engulfed by atmospherics, and City of the Living Dead is defined by its palpably nightmarish ambience. You don’t go Fulci expecting masterful storytelling, but few top this for macabre artistry.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies - 9. Vampyres (1974; dir: José Ramón Larraz) Country: England/Spain</image:title>
      <image:caption>Speaking of vicious vamps, this British film from Spanish director Larraz features a couple of beautiful women with absolutely voracious thirsts for blood. It satisfies European vampire film requirements for moodiness and nudity while significantly amplifying the carnage. Vampyres is gorgeous and sensual and all that, but never forgets, as its contemporaries sometimes do, that it’s a damn horror movie.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies - 7. Martyrs (2008; dir: Pascal Laugier) Country: France</image:title>
      <image:caption>Martyrs is the pinnacle of the New French Extremity movement that rolled out in the early 21st century with films that wrapped commentary on France’s political and cultural polemics into extremely visceral packages that punished the senses. Martyrs is perhaps the most thoughtful and nastiest of the pack. It’s hard to get through since it’s essentially 50 minutes of two young women suffering terrible tragedy then 50 minutes of one of them being beaten as close to the death as possible, but it’s completely unforgettable.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies - 5. Cannibal Holocaust (1980; dir: Ruggero Deodato) Country: Italy</image:title>
      <image:caption>This Italian horror shocker is the prototype for the found footage subgenre. Deodato’s film is notorious for its depiction of realistic (but fake) human deaths that incurred actual murder charges against Deodato and real animal deaths, and it’s all made even more queasy by Riz Ortolani’s beautiful and practically happy score, which, juxtaposed with the carnage on screen, is absolutely haunting. This is not a movie for everyone, but it’s undeniably effective and will scar your soul.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies - 4. Xtro (1983; dir: Harry Bromley Davenport) Country: England</image:title>
      <image:caption>Harry Bromley Davenport’s best-known work is a real oddity, going for an “everything but the kitchen sink” approach that includes a creepy backwards-crawling spider alien, a woman giving violent birth to a fully grown man, human-sized toy soldiers, toy tanks with flesh-tearing firepower, an evil clown, a panther, and morphing eggs. This film has the distinction of being one of the most eccentric horror movies ever made and everything about it stands alone. Bromley Davenport’s bizarre synth score is also notable. Xtro isn’t for everyone, but for the people who dig it, it’s something special.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies</image:title>
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      <image:title>List Lair - Top 10 European Horror Movies - 2. Cemetery Man (1994; dir: Michele Soavi) Country: Italy</image:title>
      <image:caption>Cemetery Man (aka Dellamorte Dellamore) is one of the most unique products from Italian cinema. Based on the comic book, Dylan Dog, and starring pre-Hollywood Rupert Everett, the film is a very funny, very thoughtful, and very ethereal work of art under the guise of a zombie flick. Yeah, there are zombies and there’s gore, but there’s also a disembodied head that leaps through the air, a resurrected motorcyclist that was buried with his bike for some reason, surrealism, a heavy dose of existentialism, and Anna Falchi, for God’s sake.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies - 6. Lips of Blood (1975; dir: Jean Rollin) Country: France</image:title>
      <image:caption>Lips of Blood functions as a remarkable reflection of Jean Rollin’s legacy to this point in his career, and it’s perhaps his most accomplished work. It encompasses all the grander themes you expect from his stuff: mysterious, cloud-cloaked landscapes; oft-nude vampiresses; a man trying to fix broken bonds of love; a castle engulfed by mist. The film has the body of gothic horror with the soul of the fantastique, and it’s a fascinating mashup that none of Rollin’s other movies balances as skillfully.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies - 10. Let the Right One In (2008; dir: Tomas Alfredson) Country: Sweden</image:title>
      <image:caption>This Swedish product, based on a successful novel, is easily one of the most artful and satisfying vampire movies to come out in the 2000s. The focus is on a lonely child vampire and her desperate search for companionship in a world filled with creepy men trying to prey on the underage predator. It’s beautifully atmospheric and achingly melancholic, yet disturbing and filled with plenty of viciousness. It’s one of the best at portraying a vampire as protagonist without losing the bloodthirsty edge.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies - 8. Let Sleeping Corpses Lie (1974; dir: Jorge Grau) Country: Spain/Italy</image:title>
      <image:caption>Grau’s zombie masterpiece was originally intended as just a full-color cash-in on George A. Romero’s original masterpiece, but it ended up being very much its own thing and a progenitor to the gorier Italian zombie cinema of Lucio Fulci, Umberto Lenzi, Bruno Mattei, and others. While filled with plentiful gut-gnawing, Grau’s wonderful film has the distinction of being one of the most atmospheric odes to the living dead, feeling very much like a hazy perpetual nightmare.</image:caption>
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      <image:title>List Lair - Top 10 European Horror Movies - 3. Possession (1981; dir: Andrzej Zulawski) Country: Poland/Germany</image:title>
      <image:caption>Zulawski’s insane mashup of Lovecraftian creatures, bizarre sexual fetishes, serial killing, white polyester-clad Caucasian martial artists, espionage, and commentary on divorce and the Berlin wall is one of the most singular movie viewing experiences one can endure. Actors Isabelle Adjani and Sam Neill have seemingly been replaced by doppelgangers from a different universe unfamiliar with how human beings are generally represented on screen. Possession is frightening, unsettling, funny, weird, and probably brilliant.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-woman-directed-horror-films</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films</image:title>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 8. Raw (2016; dir: Julia Ducournau)</image:title>
      <image:caption>Another French film, Raw has a lot in common with the country’s horror boom in the early 2000s, although it’s not quite as brutal as its forebears. Ms. Ducournau adorns the at-times grisly film with a very empathetic coming-of-age framing that almost makes you forget it’s about cannibalism. The film posits eating another person as an intimate act of love, a concept that may have been inspired by another French movie on this list.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 7. Pet Sematary (1989; dir: Mary Lambert)</image:title>
      <image:caption>Mary Lambert, who took over directing duties after George A. Romero had to drop out of production, has the honor of having made one of the better Stephen King adaptations of the ‘80s. So many elements of the film are part of the horror lexicon now and Lambert does a great job of building suspense despite literally everyone knowing that Judd is gonna fuck things up.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 2. Ravenous (1999; dir: Antonia Bird)</image:title>
      <image:caption>This Western expansion-set cannibal film was such a weird thing to be released when it was. As a result, it hasn’t gotten as much recognition as it should for its masterful concoction of surrealism, absurd comedy, atmospherics, allegory, and suspense. Although Bird wasn’t the original director (or even the first replacement), she ended up with a beautifully crafted product, one of the very best to emerge from the ‘90s.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 10. The Velvet Vampire (1971; dir: Stephanie Rothman)</image:title>
      <image:caption>Although Rothman’s sensual vampire tale perhaps isn’t as successful as some of the others from the late ‘60s and early ‘70s, it’s a compelling American film with European flavor, with a stunning lead in Celeste Yarnall. Rothman, best known for The Student Nurses (1970), helmed this under Roger Corman, which makes its somewhat tasteful arthouse leanings and subtlety sort of a minor miracle.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 6. The Invitation (2015; dir: Karyn Kusama)</image:title>
      <image:caption>Kusama’s first horror flick, Jennifer’s Body (2009), was kind of a misunderstood flop when it first came out and has since been critically re-evaluated for its portrayal of strong female characters. But her follow-up is a much more assured and rounded film. The Invitation is an incredibly tense yet emotive and fair examination of the lengths parents go to in mourning the death of a child.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 9. In My Skin (2002; dir: Marina de Van)</image:title>
      <image:caption>This is the first French movie on this list to feature the consumption of human flesh, but it ain’t the last. Marina de Van wrote, directed, and starred in this film about a woman who becomes fascinated with her own skin after an injury, eventually leading to increasingly devastating acts of self-mutilation and cannibalism. It’s a harrowing, nihilistic film that sticks with you long after the credits.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 1. Messiah of Evil (1973; co-dir: Gloria Katz)</image:title>
      <image:caption>Gloria Katz is only one-half of the creative team behind this wonderfully eerie Lovecraftian vampire flick (along with partner Willard Huyck), but she had a very strong hand in crafting its atmospheric dread. She apparently doesn’t think very fondly of it in retrospect, but that’s okay — it does understated terror better than so many other, higher-profile films.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 3. Trouble Every Day (2001; dir: Claire Denis)</image:title>
      <image:caption>Well, here we are again: Another French film about eating human flesh directed by a French woman. Like Raw, Claire Denis’ arthouse masterpiece theorizes that cannibalism and love are both acts of intimacy that can’t necessarily be separated. Trouble Every Day also helped usher in the New French Extremity movement that put the country square in the horror spotlight and helped expose the world to Béatrice Dalle, an absolutely unique screen presence.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 4. The Love Witch (2016; dir: Anna Biller)</image:title>
      <image:caption>Anna Biller’s love letter to early Hollywood and European horror of the ‘60s and ‘70s and feminist critique is one of the most singular productions of the 2000s. Though not entirely horror, there are definite nods to the genre and its overall uniqueness makes it completely unforgettable. And moreso than every other movie on this list, it’s entirely the product of its creator, who was directly involved in almost every aspect of production.</image:caption>
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      <image:title>List Lair - Top 10 Woman-Directed Horror Films - 5. The Slumber Party Massacre (1982; dir: Amy Holden Jones)</image:title>
      <image:caption>Although what makes it onscreen is probably not as feminist as the screenwriter (Rita Mae Brown) and director may have wanted (it was produced by Roger Corman, after all), The Slumber Party Massacre is still a great ‘80s slasher that subverts many of the expectations we have for this kind of movie while delivering on the gore and T&amp;A typical for these flicks — and does it much better than most films it’s lampooning.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-killers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:title>List Lair - Top 10 Killers</image:title>
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      <image:title>List Lair - Top 10 Killers - 4. Michael Myers (Halloween franchise)</image:title>
      <image:caption>Michael really doesn’t fit any of the criteria set forth at the start of this list. He never talks or even really makes any sound besides quiet grunts here and there, he has no personality or flair in his kills, and he actually doesn’t kill that often. But the look, of course, does a lot of the work, as do his patience and persistence, and Dr. Loomis’ rantings and ravings about Michael’s capacity for absolute evil. He’s a killer that will not stop until one of the two of you are dead.</image:caption>
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      <image:title>List Lair - Top 10 Killers - 9. Harry/Axel Warden (My Bloody Valentine; 1981)</image:title>
      <image:caption>Old Harry Warden is definitely one of the coolest-looking serial killers, but every killer requires a tragic backstory, and he’s got one of the most interesting. And his trauma has made him vicious: the kills in My Bloody Valentine are brutal, gory, and plentiful. The grime of the mine setting enhances the dirtiness of his deeds.</image:caption>
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      <image:title>List Lair - Top 10 Killers - 2. Billy (Black Christmas; 1974)</image:title>
      <image:caption>The utterly creepy lewd caller in Bob Clark’s Black Christmas is barely onscreen and you never see his face or learn who he really is, but none of that matters. All you need to get your skin crawling are some pornographic, misogynistic prank calls and heavy breathing. You never know if he’s got some kind of personal connection to the sorority sisters or he’s randomly targeted them and that’s a huge reason why he’s so unforgettable.</image:caption>
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      <image:title>List Lair - Top 10 Killers - 7. Mr. Slausen (Tourist Trap; 1979)</image:title>
      <image:caption>Mr. Slausen, the mannequin-obsessed owner of a roadside tourist trap, is all sorts of cracked in the head. Not only does he make it a personal pleasure to turn his victims into mannequins via an array of mutilation and plaster casting, but he telekinetically controls an army of actual mannequins to torment those who cross him. His predilections, backed by the mournful and deeply unsettling song of his mannequin minions, make him one of the creepiest killers out there.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1612391002247-G415MSUKJZVFZIJQ9CZO/list-killers_christmas-evil.jpg</image:loc>
      <image:title>List Lair - Top 10 Killers - 3. Harry Stadling (Christmas Evil; 1980)</image:title>
      <image:caption>Harry is a reluctant killer. He’s mostly a broken, deeply unhappy man who has lost faith in his life’s one solace: Christmas. He retreats into costume, from where he can dole out his own judgements of good or bad — of course, the “bad” people do inevitably meet the end of a sharp object. But by the end of Christmas Evil, you realize Harry is fully lost to his despondency and never really had a chance. No horror movie better obfuscates the line between antihero and villain.</image:caption>
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      <image:title>List Lair - Top 10 Killers - 10. Terry Simmons (Blood Rage; 1987)</image:title>
      <image:caption>The more insane half of the insane Simmons twins from Blood Rage is perhaps the most joyful killer in horror. He’s definitely enjoying himself, having a grand time beheading, disemboweling, and dismembering his family and friends during Thanksgiving. There’s a bounce in his step, a song in his heart, and a bloody machete on his shoulder.</image:caption>
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      <image:title>List Lair - Top 10 Killers - 6. Leatherface (Texas Chainsaw Massacre franchise)</image:title>
      <image:caption>While Leatherface is mostly just the blunt instrument used to enforce the whims of the Sawyer family, he’s the most interesting member. Of course, his outfit — generally consisting of disheveled formal wear, a bloody butcher’s apron, and his mask made of human skin — is iconic. But he’s also given some nuance throughout the franchise. He’s brutal and angry, but sometimes compassionate and prone to sentimentality. It’s can be difficult to sympathize with someone with a skin mask, but here we are.</image:caption>
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      <image:title>List Lair - Top 10 Killers - 1. Freddy Krueger (A Nightmare on Elm Street franchise)</image:title>
      <image:caption>I said this pretty well elsewhere: There is no more charismatic villain in the genre than Freddy. He started to go overboard with the jokes later on, and has a weird affinity for the term “bitch,” but his readiness with a good morbid pun, creativity, willingness to play with his victims a bit, wicked backstory, and unique aesthetic all commingle to form perhaps the most iconic antagonist in film history. When audiences root for a child killer, you know there’s real pizzazz there.</image:caption>
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      <image:title>List Lair - Top 10 Killers - 8. The Driller Killer (Slumber Party Massacre II; 1987)</image:title>
      <image:caption>The first sequel to The Slumber Party Massacre (1982), a great but not particularly strange slasher flick, is just completely odd — mostly due to The Driller Killer, a ghostly greaser with a guitar who boogie woogies and breakdances his way through his victim’s nightmares before impaling them with the drill bit at the end of his instrument.</image:caption>
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      <image:title>List Lair - Top 10 Killers - 5. Frank Zito (Maniac; 1980)</image:title>
      <image:caption>Speaking of sympathy, actor Joe Spinell brilliantly brings to life Frank Zito. Although he’s a sadistic murderer of women, particularly prostitutes, he’s suffered such trauma at the hands of his mother that you feel almost sad when his tragic end unfurls. He knows only suffering, to endure it and to dispense it. He despises every moment of his existence, a rabid dog begging to be euthanized.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-underrated-monsters-in-horror</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1611861398044-RWSM88VC6EGYWMI4O7GW/list11_species.jpg</image:loc>
      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 7. Sil (Species; 1995)</image:title>
      <image:caption>Though the alien from Species is basically another H.R. Giger riff on his usual biomechanical-cum-erotica stuff, the design ends up being great anyway. It is juxtaposed against the human form of beautiful Natasha Henstridge, in the context of the overall sensuality of the movie, which makes all its penetrating stabbiness more unnerving.</image:caption>
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      <image:title>List Lair - Top 10 Underrated Monsters in Horror</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1611859671294-3HMLHKJAVPY34XFV95FS/list8_the-suckling.jpg</image:loc>
      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 2. The Suckling (The Suckling; 1990)</image:title>
      <image:caption>The suckling in question is a discarded fetus that’s been mutated by toxic sewer waste. Not only is the final monster a really great man-in-a-rubber-suit creation, its transformation scene is wonderfully gooey. This movie is incredibly cheap, albeit very amusing, so it’s a little shocking that the monster is so terrific.</image:caption>
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      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 10. Dwight Renfield (The Night Flier; 1997)</image:title>
      <image:caption>This lesser-known Stephen King adaptation got kind of lost in the mix of ‘90s horror, but it’s actually pretty damn good, if pulpy. Its antagonist, the vampire pilot who goes by “Dwight Renfield,” is more of a monstrous rat than your typical bloodsucker. I personally find his look unsettling, even with his insistence on wearing a cheesy cloak. His initial full reveal is well-done and frightening.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1611860209096-ETLRSZOM7PRZU7BN73YB/list11_spookies.png</image:loc>
      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 9. Tentacled Monster (Spookies; 1986)</image:title>
      <image:caption>Though this monster is a complete throwaway in the movie, appearing on screen for less than five minutes, it’s a really awesome addition to the pantheon of aquatic creatures that actually predates similar designs in movies like The Kindred (1987) and Leviathan (1989). In a movie filled with fun creepy-crawlies, this one stands out.</image:caption>
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      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 6. Queen (The Nest; 1988)</image:title>
      <image:caption>For most of its runtime, The Nest is a decently made but typical nature-run-amok story about large and hungry cockroaches invading human spaces. But, in the third act, the movie takes a really bonkers turn towards body horror, in which a bunch of cockroach/human hybrids come into play. Eventually, the queen of this gross nest of spliced creatures is revealed and it’s a disgusting amalgam of a bunch of different mutated corpses that would be right at home in Clive Barker’s story, “In the Hills, the Cities.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1611855887507-HK2LGIL3EK5VJQNXK8SE/list11_scared-to-death.jpg</image:loc>
      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 4. Syngenor (Scared to Death; 1980)</image:title>
      <image:caption>William Malone’s design for the Syngenor (short for “synthesized genetic organism”) in his debut horror feature is heavily, heavily inspired by Giger, but is very spooky in its own way. It lives in a strange, cobweb-infested, insectile sewer nest and emerges from its lair to feed on human spinal fluid. The movie isn’t nearly as creepy as that makes it sound, but the monster design is fantastic anyway.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1611854817415-NCDJC25UCN3VC1BXZZAH/list11_chud.jpg</image:loc>
      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 3. Cannibalistic Humanoid Underground Dweller (C.H.U.D.; 1984)</image:title>
      <image:caption>Although C.H.U.D. certainly has issues with not showing enough of its titular cannibalistic humanoid underground dwellers, they make an impression when they’re on screen. Their melty complexion, fluorescent green eyes, stretchy limbs, and intimidating stature make them a ghastly presence that is unfortunately underleveraged.</image:caption>
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      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 8. Humanoids from the Deep (Humanoids from the Deep; 1980)</image:title>
      <image:caption>Roger Corman’s take on the “monsters from the sea” subgenre is a good one, and it’s mostly successful because of the slimy, debris-ridden, large-cranium’d muck creatures that emerge to terrorize the fishing town. They’re even more terrifying because they’re intent on copulating with unwilling human females.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1611861163460-M5BE4K84JL60X9O3W012/list8_terror-vision.jpg</image:loc>
      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 1. Hungry Beast (TerrorVision; 1986)</image:title>
      <image:caption>The so-called “Hungry Beast” is the perfect cheesy movie monster: it’s an amorphous bio-blob that’s slimy all the time, it has lots of constantly writhing appendages, there’s a sizable mouth with people-chomping teeth, it can shape-shift to resemble its victims (or maybe it takes over their bodies?) … what more could you ask for?</image:caption>
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      <image:title>List Lair - Top 10 Underrated Monsters in Horror - 5. Molasar (The Keep; 1983)</image:title>
      <image:caption>I love Michael Mann’s mess of a Nazi demon story, but that’s neither here nor there. One of the major standouts in what’s kind of an inconsistent film is the design of Molasar, the creature haunting the eponymous keep, with his eerie glowing red eyes and golem-like appearance. His earlier, half-skeletal iterations, before his gains back all his power, are even more striking.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-characters-in-horror</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:title>List Lair - Top 10 Characters in Horror - 8. Daniel Robitaille (aka the Candyman), Candyman franchise Played by Tony Todd</image:title>
      <image:caption>The Candyman is one of the most tragic characters in horror, particularly among its villains. He was the son of a slave who fell in love and had a baby with a white woman, for which he was mutilated, stung to death by a swarm of bees, then burned. Although he is brutal in his methods, he seems somewhat justified in his actions and he serves as almost a moral center for Cabrini-Green, to remind them of the cruelness of the world. His relationship with Helen is weirdly tender, as well.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 5. Lt. William Kinderman, The Exorcist III (1990) Played by George C. Scott</image:title>
      <image:caption>The Exorcist III is finally getting its due praise these days, for good reasons. One of the primary ones is the onscreen friendship between George C. Scott’s Lt. Kinderman and Ed Flanders’ Father Dyer. Kinderman is sassy and funny, and his prickly but respectful amity with Dyer seems very genuine. Also, he’s a character who doesn’t make a lot of stupid mistakes for the sake of plot advancement or suspense, and always seems to be thinking ahead.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 10. Henry, Henry: Portrait of a Serial Killer (1986) Played by Michael Rooker</image:title>
      <image:caption>Henry is a cold, cold bastard. Rooker plays the manipulative and murderous sociopath to perfection, giving him just the right amount of hillbilly charm for audiences to believe he could coerce those around him to commit heinous acts of depravity. The final few minutes of the film — when he confesses his love and devotion to Becky, only to leave a bloody suitcase (presumably stuffed with her dismembered body) on a random roadside the next morning — utterly encapsulates his nihilism and cruelty.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 3. Quint, Jaws (1975) Played by Robert Shaw</image:title>
      <image:caption>The gruff shark-hunter from Jaws automatically makes this list thanks to his harrowing tale of the U.S.S. Indianapolis. His no-bullshit approach, sharp barbs, know-how in a sea of incompetence, and surprising softness (relatively speaking, anyway) cement his place as one of the genre’s most watchable characters. It’s genuinely shocking and kind of heartbreaking when he meets his grisly and iconic end.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 6. Tree Gelbman, Happy Death Day franchise Played by Jessica Rothe</image:title>
      <image:caption>I was honestly surprised by how much I liked Happy Death Day. I expected to hate what seemed like yet another cookie-cutter teen horror comedy. But, it’s actually a very well-written and funny, if somewhat unoriginal, movie. The primary reason it works: the main character, Theresa “Tree” Gelbman, who starts off easily dislikable, but you grow to understand and empathize with as you see her fully realized arc unfold. While horror movie characters aren’t exactly renowned for their complexity, Tree is one of the most complex. Plus, she’s adorable and very funny.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 2. Freddy Krueger, A Nightmare on Elm Street franchise Played by Robert Englund</image:title>
      <image:caption>There is no more charismatic villain in the genre than Freddy. He started to go overboard with the jokes later on, and has a weird affinity for the term “bitch,” but his readiness with a good morbid pun, creativity, willingness to play with his victims a bit, wicked backstory, and unique aesthetic all commingle to form perhaps the most iconic antagonist in film history. When audiences root for a child killer, you know there’s real pizzazz there.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 4. R.J. MacReady, The Thing (1982) Played by Kurt Russell</image:title>
      <image:caption>Although Russell gets more accolades for his other collaborations with John Carpenter, his cocky and cynical pilot from The Thing works best for me. He first comes across as a flippant and obtuse drunk, but MacReady quickly proves he’s a problem-solver without much fear. When the research camp is consumed by paranoia, he’s one of the few characters who keeps his wits about him.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 4. Apple, Turbo Kid (2015) Played by Laurence Leboeuf</image:title>
      <image:caption>I don’t know that I’ve met anyone who’s seen Turbo Kid and did not immediately fall in love with Apple. Her optimism, charm, determination, humor, and kindness are the emotional gravity that centers the grimness and violence of The Wasteland. She’s easily the brightest spot in a very dark landscape, and it’s a real gut punch — but completely in character — when she sacrifices herself to save The Kid.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 1. Ellen Ripley, Alien franchise Played by Sigourney Weaver</image:title>
      <image:caption>When it comes to heroes who (1) know their shit, (2) are always trying to do the right and brave thing, (3) don’t make stupid mistakes, and (4) are magnetic to watch, there aren’t any who top Ms. Ripley. Throughout the entire Alien franchise, she’s kicking ass and taking names, standing shoulder to shoulder with people who should be braver, stronger, and better-trained. Ripley is the ultimate final person. And she’s got a soft spot for cats, dirty children, and waifish androids.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror</image:title>
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      <image:title>List Lair - Top 10 Characters in Horror - 9. Herbert West, Re-Animator franchise Played by Jeffrey Combs</image:title>
      <image:caption>When it comes to smart-ass mad scientists, Herbert West is the mold from which all others should be cast. Combs’ West is intelligent, ambitious, and ruthless, but enough on the good side to keep you unsure if you should be rooting for his survival or his just deserts. He’s sardonic enough to understand why he gets into trouble, but likable enough to want to see him wriggle out of it to cause it another day.</image:caption>
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      <image:title>List Lair - Top 10 Characters in Horror - 7. Dr. Loomis, Halloween franchise Played by Donald Pleasence</image:title>
      <image:caption>Although his mania and obsession with Michael Myers would eventually descend into parody the longer the Halloween franchise went along, he’s genuinely fascinating through the first four films. As Myers’ psychiatrist, he intimately knows the evil inside him and does his best to warn, in ominously elegant ways, the authorities and residents of Haddonfield. But his odd mannerisms are rounded out by a sly sense of humor that pops up on occasion.</image:caption>
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  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-midnight-horror-movies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:title>List Lair - Top 10 Midnight Horror Movies - 6. Blood Rage (1987; dir: John Grissmer)</image:title>
      <image:caption>This is one of the few Thanksgiving-focused horror movies, and it’s definitely the best. Mark Soper is having the time of his life playing dual roles as twins, one of who is a gleefully bloodthirsty serial killer, and Louise Lasser is absolutely deranged as the twins’ mom. The movie has a ton of over-the-top gore, the aforementioned mesmerizing performances, and wonderful music from Richard Einhorn. On top of all that, Blood Rage spawned the immortal line, “That’s not cranberry sauce!”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1611335154266-D2VUY6LRF8RE7G6YV05V/list8_terror-vision.jpg</image:loc>
      <image:title>List Lair - Top 10 Midnight Horror Movies - 2. TerrorVision (1986; dir: Ted Nicolaou)</image:title>
      <image:caption>This is essentially the MTV Generation on film. Big hair, loud music, snarky teens, bright colors, goofy humor, gooey aliens, gross gore — TerrorVision is basically a feature-length parody of the music channel that actually ends up as a sort of precursor to how strange and crass MTV’s content would get by the end of the ‘80s and the early ‘90s with stuff like Liquid Television and Beavis and Butthead. Ted Nicolaou’s directorial debut is all about excess, with every element crudely embellished until it barely resembles reality. In other words, this is the perfect ‘80s horror movie.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1611335541875-180R4MNMMN08HGWG1G0Z/list8_spookies.jpg</image:loc>
      <image:title>List Lair - Top 10 Midnight Horror Movies - 5. Spookies (1986; dir: Brendan Faulkner, Thomas Doran, Eugenie Joseph)</image:title>
      <image:caption>The production of this movie is the stuff of legends. It was birthed as a passion project by one group of filmmakers, who were later essentially fired by the financier, who later hired a completely different team to shoot additional scenes that were edited in without a care in the world about cohesiveness. The resulting movie is kooky and often nonsensical, but it’s filled with terrifically fun special effects, including a range of great monsters, and, like many movies on this list, a really effectively moody score. Spookies is a very atmospheric and joyful watch, despite all its flaws, and it just presses so many of the right buttons for me as a kid of the ‘80s.</image:caption>
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      <image:title>List Lair - Top 10 Midnight Horror Movies</image:title>
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      <image:title>List Lair - Top 10 Midnight Horror Movies - 3. Xtro (1983; dir: Harry Bromley Davenport)</image:title>
      <image:caption>Harry Bromley Davenport’s best-known work is a real oddity, going for an “everything but the kitchen sink” approach that includes a creepy backwards-crawling spider alien, a woman giving violent birth to a fully grown man, human-sized toy soldiers, toy tanks with flesh-tearing firepower, an evil clown, a panther, and morphing eggs. This film has the distinction of being one of the most eccentric horror movies ever made and everything about it stands alone. Bromley Davenport’s bizarre synth score is also notable. Xtro isn’t for everyone, but for the people who dig it, it’s something special.</image:caption>
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      <image:title>List Lair - Top 10 Midnight Horror Movies - 1. Pieces (1982; dir; Juan Piquer Simón)</image:title>
      <image:caption>Pieces is the ultimate in midnight cinema. Its tagline is “It’s exactly what you think it is,” but that’s not true at all. There so many absurd tangents in this movie that no one could have ever predicted, which is why it’s so incredibly entertaining. Whether you’re talking about the piss-poor detective work, the kung fu professor, the “tennis pros” who had obviously never held a tennis racket prior to filming their scenes, Kendall’s preposterous sex appeal, Paul L. Smith’s cartoonish side eye, the ridiculous twist, or the outlandish ending, it all adds up to delightfully surreal experience. It also doesn’t hurt that the movie is filled with incredible gore effects. This is just a masterwork of bad movie-making by people who absolutely believed in their product.</image:caption>
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      <image:title>List Lair - Top 10 Midnight Horror Movies - 9. Nightbeast (1982; dir: Don Dohler)</image:title>
      <image:caption>Don Dohler’s exploitation masterpiece is notable for a couple of things: (1) The filmmaking debut of J.J. Abrams, who wrote the score, and (2) perhaps the least-erotic sex scene ever filmed. Other than those milestones, Nightbeast also offers a nasty beastie in a silver tracksuit, some fun gore, and a really, really extended broad-daylight shootout. It’s also a “higher budget” (that phrase is doing a lot of work here) remake of Dohler’s debut, The Alien Factor (1978).</image:caption>
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      <image:title>List Lair - Top 10 Midnight Horror Movies - 8. Burial Ground (1981; dir: Andrea Bianchi)</image:title>
      <image:caption>The Italians typically do zombies well, as evidenced by the brilliance of Lucio Fulci. Andrea Bianchi’s entry in the oeuvre isn’t quite on that level, but it gets a million points for unorthodoxy. This flick is cemented in history by adult actor Peter Bark’s absolutely peculiar performance as a bowl-cutted little boy with significant oedipal issues, as well as a cringe-inducing zombie breast-feeding scene. The movie as a whole is a little slow, but the unusual performances, striking zombie makeup, and gothic setting make it very watchable.</image:caption>
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      <image:title>List Lair - Top 10 Midnight Horror Movies - 4. Street Trash (1987; dir: J. Michael Muro)</image:title>
      <image:caption>This is perhaps one of the most revolting movies ever made, and a prime example of the appropriately named microgenre of “melt movies,” which features people, well, melting. As indicated by its title, this is trashiness at its apex, stuffed with crude jokes, crude characters, and crude gore, and it definitely will offend the sensibilities of most people. But, Street Trash is also the ultimate flick to watch with a group of inebriated friends. It’s unbelievably excessive in every way and doesn’t bother to stop and sense-check any of it. It’s a 100 mph drag race through skid row.</image:caption>
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      <image:title>List Lair - Top 10 Midnight Horror Movies - 7. Demon Wind (1990; dir: Charles Philip Moore)</image:title>
      <image:caption>Though Demon Wind is primarily a less-competent riff on Evil Dead — a group of college-aged kids stuck in a house, stalked by demons — it’s no less enjoyable. From zany characters (a martial artist magician playing a solo game of soda can hacky sack) to gruesome creatures to a pretty killer score, there’s a lot to like about this movie, even if much of it seems concocted by folks who were not top of their classes at film school. Like many of the films on this list, a lot of passion helps overcome a lot of technical inexperience.</image:caption>
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      <image:title>List Lair - Top 10 Midnight Horror Movies - 10. The Suckling (1990; dir: Francis Teri)</image:title>
      <image:caption>This is the heartwarming story of a prostitute who aborts her fetus and flushes it down the toilet. Once in the sewers, it encounters toxic waste that mutates it into a bloodthirsty beast that returns to the brothel for vengeance. This is real low-grade, bananas filmmaking. The monster looks pretty awesome and the special effects in general are swell. This, combined with a bunch of bonkers storytelling choices, makes The Suckling a very amusing foray into trash cinema.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-underappreciated-sequels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610384377821-W5P6FQ9ZWJMZ7GY3ZDHQ/list7_hello-mary-lou.jpg</image:loc>
      <image:title>List Lair - Top 10 Underappreciated Sequels - 4. Hello Mary Lou: Prom Night II (1987; dir: Bruce Pittman)</image:title>
      <image:caption>If Mary Lou teamed up with Freddy Krueger, this might be what you’d get. Similar to A Nightmare on Elm Street 2, a supernatural killer uses someone else’s body to enact some surreal havoc. Whereas the original was a very straightforward slasher, this sequel delves into some wild paranormal horror. Creative kills and special effects, as well as fun performances from Michael Ironside and Wendy Lyon, keep this film steaming ahead.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 8. Maniac Cop 2 (1990; dir: William Lustig)</image:title>
      <image:caption>While Lustig’s original Maniac Cop is a pretty solid slasher, the first sequel amps everything way up. Robert Z’Dar’s hulking, disfigured killer cop goes on an absolute rampage, with a huge body count and carnage of the highest order. Robert Davi also steps in as the maniac cop’s disgruntled foil in the police department. The pivot here from the first film is much the same as Aliens or Terminator 2.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 2. Puppet Master II (1990; dir: Dave Allen)</image:title>
      <image:caption>The original Puppet Master is a fine horror film, but it heads along a very straight path. In the first sequel, André Toulon and his puppets get wacky. This is the second movie on this list to feature human-sized plastic creations — here, Toulon’s goal is to escape his mangled, burned body and transfer his spirit into a giant doll. The human toys he’s created for him and his bride to inhabit are super creepy. This film also introduces fan-favorite puppet Torch. This sequel best embodies how weird the series can get.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 6. Hellraiser: Bloodline (1996: dir: Kevin Yagher)</image:title>
      <image:caption>Director Yagher was so exhausted by producer meddling in this Hellraiser sequel — the last to get a theatrical release — that he demanded his name be removed and replaced with the Alan Smithee moniker. I don’t know what his original vision for the film was, but what made it to audiences is a fascinating take on the cenobite mythos that spans three time periods and incorporates a spaceship that transforms into a giant futuristic lament configuration. The cenobite designs here are very creative, as well. The fun ideas are dragged down by some by the editorial choppiness, but Bloodline is definitely worth seeing.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 10. The Howling III: The Marsupials (1987; dir: Philippe Mora)</image:title>
      <image:caption>In general, I think The Howling sequels have gotten a bad rap, and I’m sure I’ll write about that in more depth eventually. But part three is my favorite of the group; it introduces some wild ideas, including positing the werewolves as the good guys, and has interesting thoughts about the werewolf’s place in aboriginal Australian lore. Like many of the sequels on this list, it’s not entirely successful in its execution, but it’s a fascinating watch.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 9. Silent Night, Deadly Night 5: The Toy Maker (1991; dir: Martin Kitrosser)</image:title>
      <image:caption>This is one of the few Silent Night, Deadly Night sequels that actually features a killer Santa again, but it also introduces some real craziness, primarily in the form of a human-sized doll guy with daddy issues and a terrible streak of viciousness. This entry in the series is perhaps the creepiest, though it might be out-weirded by Brian Yuzna’s Silent Night, Deadly Night 4: Initiation.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 1. Amityville II: The Possession (1982; dir: Damiano Damiani)</image:title>
      <image:caption>Although the original is heralded as a classic, I personally find it pretty boring. Part two, which chronicles the tragedy that led to the haunting in the first film, is all of the things I wanted from The Amityville Horror. This film is thoroughly disturbing, from the scumbaggy dad to the unsettling incest to the shocking violence to the malevolent demons. The Possession beautifully rolls together all of these elements in creating a deeply unpleasant but effective horror movie.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels</image:title>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 5. The Fly II (1989; dir: Chris Walas)</image:title>
      <image:caption>Chris Walas, who did the special effects for David Cronenberg’s original film, takes over directing here in a sequel that somehow manages to be more disgusting than the body horror classic. There is a notably increased focus on gore, as Eric Stoltz’ take on a Brundlefly is much more malicious this time, actively seeking vengeance on his would-be captors. There is an absolutely heartbreaking scene involving a dog that makes the movie very hard to watch, but other than that, this is a very solid flick for the gorehounds out there.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 7. Poltergeist III (1988; dir: Gary Sherman)</image:title>
      <image:caption>The very likable Craig T. Nelson and JoBeth Williams are gone here, and this is a much darker poltergeist than in the previous two films. But this sequel set in a high-rise has some really creepy sequences and effective scares, even if it doesn’t entirely make sense and is only vaguely tethered to the original movie. The setting is leveraged surprisingly well as a set-up to many of its best scenes.</image:caption>
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      <image:title>List Lair - Top 10 Underappreciated Sequels - 3. Creepshow 2 (1987; dir: Michael Gornick)</image:title>
      <image:caption>Although neither George Romero nor Stephen King were as involved in this sequel, it’s a good, and much meaner, movie. The segment “Old Chief Woodenhead” is pretty slow, weak, and seems racist nowadays, but the other two segments are thoroughly lurid and gross, and are sure to please most horror fans. The animated wraparound and music really tap into that nostalgiac EC Comics feel, as well.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-found-footage-flicks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610073774609-GGZ12W8C6716A4WKXCVX/list6_the-bay.jpg</image:loc>
      <image:title>List Lair - Top 10 Found Footage Flicks - 5. The Bay (2012; dir: Barry Levinson)</image:title>
      <image:caption>The Bay isn’t an especially complex film, but it’s an extremely potent and grisly look at an outbreak of a deadly parasite, with a few extra credit points for some commentary about human destruction of the natural environment. But mostly, this is a special effects vehicle to show people being eaten from the inside out by large sea bugs. And it certainly does well what it sets out to do. This will make your stomach turn many times over.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610073697237-EBD1WICJE3PIS14JVU8N/list6_lake-mungo.jpg</image:loc>
      <image:title>List Lair - Top 10 Found Footage Flicks - 6. Lake Mungo (2008; dir: Joel Anderson)</image:title>
      <image:caption>This is a complex movie that is at once creepy and heartbreaking. What starts out as sort of a traditional but well-done ghost story evolves into a very interesting look at the lengths some folks will go to to cope with tragedy and the crippling depression that lies beneath the surface of many folks and drives them to desperate acts. Lake Mungo ends up as one of the most emotionally bleak horror movies I’ve ever seen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610073926158-407KH5XK5XIWGT4DJBKH/list6_banshee-chapter.jpg</image:loc>
      <image:title>List Lair - Top 10 Found Footage Flicks - 3. Banshee Chapter (2013; dir: Blair Erickson)</image:title>
      <image:caption>A caveat: this movie isn’t entirely found footage; some of it definitely is, but other parts are just traditional narrative shot with shaky-cam. But it still deserves a place here because it’s just so supremely spine-tingling. This movie is an intersection of many things I find discomforting: secret government experiments, numbers stations, and weird-ass monsters that exist in parallel universes. This hybrid of H.P. Lovecraft and Hunter S. Thompson is a terrifyingly bad LSD trip put to film. It exploits paranoia to maximum effect and shows just enough of the weirdness to pay off.</image:caption>
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      <image:title>List Lair - Top 10 Found Footage Flicks - 4. The Blair Witch Project (1999; dir: Daniel Myrick, Eduardo Sánchez)</image:title>
      <image:caption>This is the movie that essentially started it all. It’s been parodied endlessly over the last 2 decades, but The Blair Witch Project was groundbreaking in its less-is-more approach and viral marketing campaign that has been copied over and over but rarely replicated as successfully, and is one of the best examples of just how scary it can be not to show the audience a damn thing. The most jarring scenes in the movie are all executed via implication. Never has standing and quietly staring at a wall been so unnerving.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610073455397-4S65KTN2II42I5UO01EE/list6_paranormal-activity.jpg</image:loc>
      <image:title>List Lair - Top 10 Found Footage Flicks - 9. Paranormal Activity (2007; dir: Oren Peli)</image:title>
      <image:caption>While this franchise is unfortunately ubiquitous now, there is a reason for that: the original film was very savvy. There aren’t many horror films that have better used the audience’s imagination against them. Almost nothing is shown on screen, but we spend the entire runtime watching the darkness for movement or listening for a sound that doesn’t belong. The tricks rolled out in this film have been recycled endlessly since then, often to much lesser results.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610074027589-HU7O3HXXFVSI982LPEOR/list6_poughkeepsie-tapes.jpg</image:loc>
      <image:title>List Lair - Top 10 Found Footage Flicks - 1. The Poughkeepsie Tapes (2007; dir: John Erick Dowdle)</image:title>
      <image:caption>This movie was left in movie purgatory for years after its quiet festival release in 2007, and I first saw it as a rip on YouTube. And honestly, that’s how everyone should first see this eerie movie, because it adds to the snuff film tint of it all. The killer is mysterious — his face and motives are never revealed, nor is he ever caught — and there are a number of sequences that are just harrowing, including the torture scene pictured here and an interview with his long-term captive that’s just devastating in its depiction of Stockholm syndrome.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610073611116-FNKDNBICGB7SPPFTW1H5/list6_theyre-inside.jpg</image:loc>
      <image:title>List Lair - Top 10 Found Footage Flicks - 7. They’re Inside (2019; dir: John-Paul Panelli)</image:title>
      <image:caption>This movie came out of nowhere for me. It wasn’t especially heralded and I watched it on a whim with with very low expectations. But They’re Inside capitalizes on what works so well about movies like The Strangers (2018) and The Poughkeepsie Tapes (2007) by illustrating the often random nature of violence and the complex relationship that can sometimes develop between victim and victimizer. The dog food scene at the end is particularly chilling.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610073382564-7KFHUO9FQGRQK3JK0K46/list6_vhs2.jpg</image:loc>
      <image:title>List Lair - Top 10 Found Footage Flicks - 10. V/H/S 2 (2013; dir: Various)</image:title>
      <image:caption>The original V/H/S sparked kind of a resurgence in found footage after horror audiences had burned out on the wildfire Paranormal Activity created. The original was edgy, kind of weird, and enlisted some promising young filmmakers. Its sequel evened out the quality level from the first one and, in fact, Gareth Evan’s “Safe Haven” segment ended up being one of the best horror anthology segments of all time.</image:caption>
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      <image:title>List Lair - Top 10 Found Footage Flicks</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610073514626-S03C9WH0DOYO1VBIXRXF/list6_creep.jpg</image:loc>
      <image:title>List Lair - Top 10 Found Footage Flicks - 8. Creep (2014; dir: Patrick Brice)</image:title>
      <image:caption>Brice’s Creep franchise earns points for daring the viewer to sympathize with its killer. Mark Duplass’ dorky but somewhat charming serial killer is essentially the protagonist in both this and the sequel, and we spend a lot of time getting to know him and often forgetting he gets a thrill out of murdering folks, which makes his moments of malevolence much more surprising and shocking. The Peachfuzz sequence is forever part of the horror psyche now.</image:caption>
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      <image:title>List Lair - Top 10 Found Footage Flicks - 2. Cannibal Holocaust (1980; dir: Ruggero Deodato)</image:title>
      <image:caption>This Italian horror shocker is the prototype for the subgenre. Like the previous entry on this list, it’s a hybrid: there’s a traditional film that centers on finding some found footage. Deodato’s film is notorious for its depiction of realistic (but fake) human deaths that incurred actual murder charges against Deodato and real animal deaths, and it’s all made even more queasy by Riz Ortolani’s beautiful and practically happy score, which, juxtaposed with the carnage on screen, is absolutely haunting. This is not a movie for everyone, but it’s undeniably effective and will scar your soul.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-discoveries-in-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609953305041-LAFYX82FL48PR0RVLA87/list5_demon-seed.jpg</image:loc>
      <image:title>List Lair - Top 10 Discoveries in 2020 - 2. Demon Seed (1977; dir: Donald Cammell)</image:title>
      <image:caption>Frankly, I only vaguely knew this movie existed. Over the past few years, I’ve been growing to really love the horror output of the ‘70s, but this movie just never made my radar. But it’s a wonderfully creepy film that slowly but relentlessly builds dread, and it presents a complex morality via the sentient artificial intelligence that serves as the antagonist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609951680030-1WRKAEWU9EQSGGN1VMMP/list5_the-resurrected.jpg</image:loc>
      <image:title>List Lair - Top 10 Discoveries in 2020 - 9. The Resurrected (1991; dir: Dan O’Bannon)</image:title>
      <image:caption>Dan O’Bannon’s second and final feature directorial effort is an sadly unheralded adaptation of H.P. Lovecraft’s novella, The Case of Charles Dexter Ward. This is a great little B movie with some very inventive and wonderful creature effects, including some stop motion, and a gleefully maniacal performance by Chris Sarandon. Obviously I was also late to the party on this one, but more people definitely need to see it.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609953351717-9PRNU7F91XGO0IX826NH/list5_suspiria-2018.jpg</image:loc>
      <image:title>List Lair - Top 10 Discoveries in 2020 - 1. Suspiria (2018; dir: Luca Guadagnino)</image:title>
      <image:caption>I put off watching this for way too long out of my general disdain for remakes. But Luca Guadagnino’s film is wholly its own beautiful thing, more of an homage to Argento’s original that quickly proceeds along a unique path. In my humble (and possibly bad) opinion, Suspiria 2018 eclipses the Argento film in every respect, putting forth a richly layered exploration of gender politics, the responsibility and abuse of power, fascism, the potency of art, and boundaries of motherhood/sisterhood.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609952130235-ZA8QF5HU902RNG4K3AJB/list5_necronomicon.jpg</image:loc>
      <image:title>List Lair - Top 10 Discoveries in 2020 - 7. Necronomicon (1993; dir: Brian Yuzna, Christopher Gans, Shusuke Kaneko)</image:title>
      <image:caption>It took me a long time — and the purchase of a region-free Blu-ray player — to track down this movie. But the wait was worth it. This is easily one of my favorite Lovecraft works in film. None of the segments in this anthology are especially faithful, but they’re all entertaining. Necronomicon is a special effects wonder, with plenty of all-timer grisly gore gags. Appearances by Jeffrey Combs and David Warner add some theatrical heft to a very entertaining flick.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609953136767-HQELQRLYR7E5JN9OPDS0/list5_salems-lot.jpg</image:loc>
      <image:title>List Lair - Top 10 Discoveries in 2020 - 3. Salem’s Lot (1979; dir: Tobe Hooper)</image:title>
      <image:caption>Vampires are one of my least-favorite horror monsters, and that led to ignoring this miniseries for a long time (this is especially odd since ‘Salem’s Lot is my favorite Stephen King novel). But it’s a very atmospheric movie that truly excels in portraying the horrors that occur within the four walls of small-town American homes.</image:caption>
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      <image:title>List Lair - Top 10 Discoveries in 2020 - 10. Red Christmas (2016; dir: Craig Anderson)</image:title>
      <image:caption>I avoided this movie because the premise — a killer with Down syndrome seeking revenge on the mother who once tried to abort him — seemed like outrage fodder and pretty classless. But, man. Yes, this is an exploitation flick with plenty of over-the-top carnage and controversial themes, but it’s also a surprisingly thoughtful and empathetic portrayal of folks with Down syndrome that treats them as people instead of sympathy cases. Plus, Dee Wallace is pretty fantastic in what ends up being a heavy and affecting viewing experience.</image:caption>
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      <image:title>List Lair - Top 10 Discoveries in 2020 - 4. The Whisperer in Darkness (2011; dir: Sean Branney)</image:title>
      <image:caption>This indie adaptation of H.P. Lovecraft’s novella is such a charming film. Of all the Lovecraft works I’ve seen adapted for the screen, this is perhaps the most faithful in terms of storytelling ethos, even if it does add an entire third act that did not exist in the source material. But this movie was obviously made by folks who live and breathe Lovecraft and truly understand what made his works so effective. The slim budget shows here and there but overall, this is a great anachronistic gem.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609988761997-S0UXNN5R6382516BA14D/thumb_whisperer-in-darkness.jpg</image:loc>
      <image:title>List Lair - Top 10 Discoveries in 2020</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609951982672-HSDUX8IDO65RLGCVHA85/list5_jack-o.png</image:loc>
      <image:title>List Lair - Top 10 Discoveries in 2020 - 8. Jack-O (1995; dir: Steve Latshaw)</image:title>
      <image:caption>It might be the fugue state that Halloween season puts me in, but Jack-O really spoke to me when I watched it in early October. Frankly, this is a cheap movie that doesn’t do a great job of hiding how cheap it is, but it’s so earnest that I overlooked its flaws heartily. The frequent tangents in characterization and focus on borderline inane micro-details really bring the fictional town of Oakmoor Crossing and its folklore to life.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609952397962-8LCKI4PTM0LCANCSUVVX/list5_nightmare.jpg</image:loc>
      <image:title>List Lair - Top 10 Discoveries in 2020 - 6. Nightmare, aka Nightmares in a Damaged Brain (1981; dir: Romano Scavolini)</image:title>
      <image:caption>I was taken aback by how bleak and nihilistic this movie was. Scavolini’s grimy slasher creates a perfectly brutal and dark trifecta of early ‘80s serial killer films along with William Lustig’s Maniac and Joseph Ellison’s Don’t Go in the House. Beware that this is one of those movies that begs you to take a shower afterwards, but the dolorous stew of anger, despondency, and violence is very potent and will stick with you for a while.</image:caption>
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      <image:title>List Lair - Top 10 Discoveries in 2020 - 5. In Fabric (2018; dir: Peter Strickland)</image:title>
      <image:caption>Peter Strickland’s films aren’t always home runs but they’re always interesting. In Fabric is his most successful thus far, I think, and makes a ridiculous concept (a haunted dress) work in a darkly funny and surprisingly creepy way. I would have preferred if this were not told in a pseudo-anthology style, because Marianne Jean-Baptiste’s character is so interesting and should have remained the focus, but nonetheless, this is a unique and mind-binding horror movie that finds plenty of ways to stand out.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-of-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609861927818-20IZWQ32FBHKLT8P2QV7/list4_beach-house.jpg</image:loc>
      <image:title>List Lair - Top 10 of 2020 - 9. The Beach House (dir: Jeffrey A. Brown)</image:title>
      <image:caption>Although Color Out of Space, which appears higher on this list, was the more heralded and obviously H.P. Lovecraft-inspired work, The Beach House is an extremely admirable effort to portray the eerie existential void in which humankind stares. The low budget does minimize the on-screen effects, but there is a palpable atmosphere of dread once the story moves past the gentle and somewhat slow build-up. There is just enough ooey-gooey goodness to please body horror fans and the movie thoughtfully ponders the future of our species — and I think the movie strikes an interestingly optimistic tone about our demise.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609859242521-GVT0MD3HU54YS0ZBGZPC/list4_mortuary-collection.jpg</image:loc>
      <image:title>List Lair - Top 10 of 2020 - 5. The Mortuary Collection (dir: Ryan Spindell)</image:title>
      <image:caption>This was the most fun I’ve had watching a movie in some time. Generally, horror anthologies are an uneven bunch, but since Ryan Spindell wrote and directed all the segments, the movie is pleasantly entertaining the entire duration and flows better than most anthologies could hope. This film offers a little something for every type of horror fan and attention to small details make the fictional town of Raven’s End feel real and lived in. Clancy Brown is wonderful as the mortician guiding the storytelling. Bolstered by Spindell’s above-average sense of humor and drama, as well as his visual style, The Mortuary Collection is a pretty perfect watch for Halloween season.</image:caption>
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      <image:title>List Lair - Top 10 of 2020 - 8. Relic (dir: Natalie Erika James)</image:title>
      <image:caption>Relic was one of the more poignant horror films to drop this year, dealing compassionately with the devastation that dementia can wreak on a family, reminding me of The Taking of Deborah Logan (2014). But the movie is also out to unsettle, and effectively wields demonic possession and a geometry-shifting house straight out of the book House of Leaves. Overall, Relic has a beautiful sense of empathy that is rare in the genre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609857907539-AEEF863I191F8ZS06MYI/list4_dark-and-wicked.jpg</image:loc>
      <image:title>List Lair - Top 10 of 2020 - 1. The Dark and the Wicked (dir: Bryan Bertino)</image:title>
      <image:caption>I think most of us can agree that Bertino’s debut film, The Strangers, is one of the scariest horror flicks of the 2000s. However, I think his follow-ups have mostly fallen short. But with The Dark and the Wicked, Bertino finds his way back to the scares in a film that sort of plays like an even more vague version of The Witch (2016), but without the impenetrable accents. The movie leverages silence and darkness more effectively than most horror movies and never goes for the cheap jump scare. Slowly creeping dread and bleakness are the game here. There are no easy answers as to why these dark and wicked things are happening to this family, but that’s okay with me.</image:caption>
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      <image:title>List Lair - Top 10 of 2020 - 6. Color Out of Space (dir: Richard Stanley)</image:title>
      <image:caption>Richard Stanley has been a somewhat notorious pariah in Hollywood, but production house SpectreVision (famously co-founded by genre champion Elijah Wood) trusted Stanley’s vision for this Lovecraft adaptation enough to basically give him free reign. Their trust was well-founded because this imaginative movie is at once creepy, relatively faithful to its source, and expansive enough to work as a feature film and potential introduction to a full SpectreVision Lovecraft universe. The film’s kind of heavy on the CGI, which only works some of the time, but there are still plenty of grisly practical effects and horrifying insinuations about the fate of the human race.</image:caption>
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      <image:title>List Lair - Top 10 of 2020 - 2. The Wolf of Snow Hollow (dir: Jim Cummings)</image:title>
      <image:caption>This is probably the most smartly written horror movie I’ve seen in years. It’s been echoed elsewhere, but this is essentially a genre-tinged Coen brothers movie. Jim Cummings writes, directs, and stars in this flick that focuses on the downward spiral of a small-town sheriff’s officer trying to solve the most grisly case of his career while watching his marriage, relationship with his daughter, and health of his father fall apart simultaneously. The movie is bitingly funny, though not in a belly-laugh sort of way, and has moments of genuine horror, though scares are not its central or even really a primary concern. I think this fact led to some genre fans writing it off.</image:caption>
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      <image:title>List Lair - Top 10 of 2020 - 10. Gretel and Hansel (dir: Oz Perkins)</image:title>
      <image:caption>Oz Perkins’ latest is very much spiritually in line with his previous films, particularly I am the Pretty Thing that Lives in the House (2016). It’s gorgeous to watch, lush to hear, and ominously poetic in its execution. But it’s also somewhat obtuse and the ending doesn’t land as poignantly as it feels like it should. But I’m not sure there’s any horror film from 2020 that looks and sounds better than this. Perkins knows how to appease the senses.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609858171143-5DZ8MI7AYW4QS0NA2OT5/list4_his-house.jpg</image:loc>
      <image:title>List Lair - Top 10 of 2020 - 3. His House (dir: Remi Weekes)</image:title>
      <image:caption>This Netflix original is a stunningly poetic examination of immigration and atonement, as told through the plight of two Sudanese refugees trying to make their way in London. The movie’s a bit short on scares (though there are a few scenes that are very effective), but it’s so beautifully written that you hardly notice it’s only barely a horror movie. The horrors here are mostly in how we treat each other; there just happens to also be a demon stalking around.</image:caption>
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      <image:title>List Lair - Top 10 of 2020</image:title>
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      <image:title>List Lair - Top 10 of 2020 - 7. Sputnik (dir: Egor Abramenko)</image:title>
      <image:caption>This Russian film is the best alien horror film the last few years have offered. There is definitely a lot of extraterrestrial-driven carnage, but what sets the movie apart is its examination of Cold War politics in the Soviet Union, and illustrates many of the fatal flaws that were ultimately the undoing of that regime. The alien design here is interesting and mostly convincing, although entirely computer-generated. It reminded me of Life from 2017, in its eschewing of humanoid terror in favor of something way more alien.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609858339330-R96NVKAAEE84YTCS7U5E/list4_anything-for-jackson.jpg</image:loc>
      <image:title>List Lair - Top 10 of 2020 - 4. Anything for Jackson (dir: Justin G. Dyck)</image:title>
      <image:caption>This movie plays sort of like Rosemary’s Baby but from the point of view of the Castevets. Sheila McCarthy and Julian Richings are spectacular as an elderly couple driven to the desperation of a Satanic ritual as they grieve the death of their daughter and grandson. Fantastic acting, effective pacing, unsettling atmosphere, ghoulish ghost/demon designs, and a script that infuses the scares with pathos help elevate this above the fray from the year.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-non-franchise-slasher-films</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854329746-UV6ASERK6FDDA540YAVE/list_dont-go-in-the-house.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 4. Don’t Go in the House (1979; Dir: Joseph Ellison)</image:title>
      <image:caption>This movie is a nihilistic and bleak foray into the life of a man suffering from serious trauma that has completely warped his worldview. Similar to Maniac (1980), Don’t Go in the House is less a traditional slasher and more of a character study, as the audience witnesses Donald Kohler descend into hell of his mother’s making via stalking, murder, and eventual madness that could only lead to his own demise. The movie offers no relief from its desolation, so it’s a difficult watch, but Ellison expertly guides the viewer downward until there is only rock bottom.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854229661-N5XZIC26W4RFNG8RGSUR/list_alice-sweet-alice.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 7. Alice, Sweet Alice (1976; Dir: Alfred Sole)</image:title>
      <image:caption>Probably best known for the first screen appearance by Brooke Shields, this movie focuses on young Alice, suspected of murdering her sister at her first communion. Not only does this nasty flick feature child murder and child murderers, but there’s a heavy pedo-vibe, particularly from Alice’s mother’s landlord. The whole thing has a creepy undercurrent that’s enhanced by the expressionless mask worn by the killer throughout the movie. It’s difficult to watch Alice, Sweet Alice without shifting in your seat every few minutes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854371332-ACCQZ5K31K22ZMJEGI67/list_maniac.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 2. Maniac (1980; Dir: William Lustig)</image:title>
      <image:caption>Lustig’s Maniac is perhaps the sleaziest of sleazy slashers. The grime is personified perfectly by Joe Spinell as Frank Zito. His anguished, sweaty, and manic performance is essential to the success of this movie. He easily sells Zito as both a brutal and remorseless victimizer and a terrified, pathetic victim of his past. Tom Savini’s effects work is masterful, ratcheting the brutality of Zito’s actions to 11. A fantastically morose and disquieting score by Jay Chattaway is the dirty whipped cream on top of an absolutely filthy trip into the warped head of a killer.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854200386-B3IMC46NPFNLZKR14BI3/list_tourist-trap.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 8. Tourist Trap (1979; Dir: David Schmoeller)</image:title>
      <image:caption>The first of a few proto-slashers on this list, Tourist Trap is one of the creepiest of all time. This movie knows full well the general wariness towards dolls and mannequins and is very effective in capitalizing on it with a number of unsettling scenes that personify plastic in menacing ways. Pino Donaggio’s eerie score even incorporates the haunting voices of the souls perhaps trapped beneath their plastic exteriors. It’s all very skin-tightening, even if the movie isn’t heavy on violence. The feel here is very Texas Chain Saw Massacre-y, in terms of the seriousness with which it portrays its villains and their deep-rooted psychoses.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854247014-FNTRW5QSNGQZQDCC699Y/list_The-Mutilator.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 6. The Mutilator (1985; Dir: Buddy Cooper)</image:title>
      <image:caption>Like Doom Asylum, this is not a well-made or artful movie. But what it lacks in technical prowess, it more than makes up for in heart: the characters are likable, which is atypical for a slasher film; the kills are creative and absolutely brutal; there’s plenty of atmosphere; the music is great (including a folksy theme song written especially for the movie); and there are well-placed bits of slapstick comedy. The Mutilator is an offbeat slasher that offers something totally singular.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854174150-1HJG3XI4IK81JFD78E28/list_sorority-row2.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 9. The House on Sorority Row (1982; Dir: Mark Rosman)</image:title>
      <image:caption>Perhaps the most “traditional” slasher on this list, it’s also one of the most elegant. Everything about it is relatively classy: Richard Band’s score is beautiful, the acting is uniformly good, the cinematography and direction are solid, and there’s more of a standard but well-done who-done-it element driving the plot. There is an interestingly dreamy overtone to the proceedings that keeps thing unique and overall, it’s pretty suspenseful.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854392031-R05T35WAWP5I4REU038T/list_black-christmas.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 1. Black Christmas (1974; Dir: Bob Clark)</image:title>
      <image:caption>When you think about it, it’s pretty amazing that director Bob Clark has made two Christmas classics, in two different genres. His first, a proto-slasher, is an immensely creepy affair. A sorority house is stalked by a killer that’s never identified, whose vulgar and crazed prank calls are genuinely unsettling and whose motivations are complete obscured. The pacing is slow and deliberate, the characters are given a life outside of just victims, the atmosphere is absolutely tense, and the movie had the genuine brazenness to keep its killer alive and ambiguous.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854306506-975GYZAV1K0FH9WTFBB8/list_Pieces-2.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 5. Pieces (1982; Dir: Juan Piquer Simón)</image:title>
      <image:caption>This Spanish production is such a unique entity that it kind of defies explanation. Although its tagline is “It’s exactly what you think it is!” the movie is absolutely unpredictable. Every character feels like some alien approximation of how humans behave; ridiculous dialog and illogical decision-making occur in nearly every scene. There are bouts of complete randomness such as a kung-fu professor and an ending that makes no sense. For a movie that, on its surface, seems completely incompetent, the murder set pieces are fantastically realized and the gore is top-notch. Pieces is the wonderful culmination of a lot of disparate “pieces” that shouldn’t work together. But, oh god, does it.</image:caption>
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      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 3. My Bloody Valentine (1981; Dir: George Mihalka)</image:title>
      <image:caption>This Canadian gem veers a little from the typical slasher set-up by concerning itself with the demise of middle-class adults instead of well-off promiscuous teenagers. Set in a blue collar mining town afflicted by a violent past, My Bloody Valentine is a suspenseful and bloody slasher that stands out for its maturity, gore, and iconic gas mask- and pickaxe-equipped killer. The mine setting adds inherent claustrophobia and darkness to the proceedings. The ending is fantastic, as well, and leaves the audience feeling like the blood-soaked cycle in Valentine Bluffs may continue indefinitely.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609854103908-UDR6KCJ8F68LC253OWNG/list_doom-asylum.jpg</image:loc>
      <image:title>List Lair - Top 10 Non-Franchise Slasher Films - 10. Doom Asylum (1988; Dir: Richard Friedman)</image:title>
      <image:caption>his is a ridiculous movie that I couldn’t help but love. Anchored by some shockingly great and icky gore, Doom Asylum often veers into extremely goofy territory that nearly threatens to derail your enjoyment of it before finally reassuring you that, yes, this thing is a lot of fun. The killer can’t help himself from peeling off terrible one-liners as he kills the cast in increasingly demented ways. The entire movie is essentially a compilation of non-sequiturs, but its zaniness and offbeat charm are surprisingly effective.</image:caption>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-horror-film-scores</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609818511114-5TKMAQTIFK5BO4QGOXYS/vinyl_creepshow.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 5. Creepshow (John Harrison)</image:title>
      <image:caption>The campy EC-laced attitude of the movie is brought to life by Harrison’s minimalist music that plays up the pomp and circumstance through music-box sounds, whimsical synths, and grandiose piano work at its core. It’s never too densely layered or complex, and it all sounds like it could be played live by a crazed organist sitting just off-screen in an old-timey haunted movie theatre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609819113156-LC2TSUS2T53PZBQ4SQA3/thumb_carpenter.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817880296-FUDBL9NART2C005PHTSA/vinyl_possession.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 9. Possession (Andrzej Korzynski)</image:title>
      <image:caption>The score for Andrzej Zulawski's 1981 horror film is just as strange as the film itself. Disparate elements like polka, moody synths, romantic strings, electronic drones, flutes, and xylophone come together to create a disorienting soundscape that perfectly accompanies the heightened sense of unease in a movie about divorce, serial murder, tentacle sex, and the fall of the Berlin wall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817845084-EIS8SRXKNFJ39PW1YNGE/vinyl_puppet-master.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 10. Puppet Master (Richard Band)</image:title>
      <image:caption>Band’s playful orchestral style was an exact match for the low-budget, fun-oriented creature features produced by his brother Charles at Empire/Full Moon. The great fit was never more apparent than on Puppet Master, as exemplified in a fantastic main theme that captures the meld of innocence and menace in the movie.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609818630385-GTUMLTEUN9ADR45LBIB9/vinyl_halloween.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 2. Halloween (John Carpenter)</image:title>
      <image:caption>This is a very obvious entry, one with which almost every horror fan is familiar. But there’s a reason the music is so ubiquitous: it’s brilliant. The piano- and synth-based score is stripped down to only its most essential notes and instrumentation and could be categorized as repetitive. However, whether it was borne by necessity or Carpenter’s lack of technical prowess, the score’s simplicity and repetition is what enables it to bore into your head. Michael Myers loses almost all of his power without this music.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609818594025-SZ6IP0910D127WF7FABV/vinyl_maniac.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 3. Maniac (Rob)</image:title>
      <image:caption>Synth scores in the genre had kind of fallen out of vogue throughout the 90s and early 2000s, but Rob’s moody and atmospheric work on the 2012 remake of Maniac seemed to kick off a revitalized obsession with arpeggiators and sequencers. One of the best synth scores ever written that expertly captures the gritty neon darkness on screen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609818662950-CY8C85QCCA5NE0KXW40X/vinyl_the-beyond.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 1. The Beyond (Fabio Frizzi)</image:title>
      <image:caption>This spot could have easily gone to Frizzi’s fantastic score for City of the Living Dead (aka The Gates of Hell), but The Beyond gets the nod for its unforgettably creepy main piano theme. It’s one of the best-written motifs in the genre and it totally realizes the supernatural peril bubbling just beneath the ground in the movie. When the haunting and slightly broken-sounding mellotron, dramatic choral work, and strings are added to the brew, a perfectly chilling aural concoction is brought to life.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817929660-QEE365K5AVB5D6SRO4XV/vinyl_slumber-party-massacre.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 8. The Slumber Party Massacre (Ralph Jones)</image:title>
      <image:caption>There is something so oddly alluring about Jones’ music, which sounds like one of the best bombastic gothic scores ever written, but played on the cheapest keyboards available. Every cue is foreboding as hell, but laced with cheesy bleeps and bloops that make an incredible amount of sense in the context of an 80s slasher that both perfectly embodies the best tropes of the subgenre and simultaneously satirizes them.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609818544742-HREZC63DM7UQ3GWYC7ZQ/vinyl_hellraiser.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 4. Hellraiser (Christopher Young)</image:title>
      <image:caption>Young’s work on Hellraiser is the ultimate in gothic horror. The classical score is bold, frightening, romantic, and intense. Subtlety is thrown out the window, but the pitch black Hammer-esque music fits the melodrama of the cenobites and the otherworldly pleasures they offer.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609818392652-9C9GJAFM49WJXZN2V7G7/vinyl_the-thing.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 7. The Thing (Ennio Morricone, John Carpenter, Alan Howarth)</image:title>
      <image:caption>An unusual choice for composer, Ennio Morricone wrote a number of pieces for Carpenter’s body horror classic that were ultimately cut from the final film, or edited down significantly. Additionally, Carpenter and frequent collaborator Howarth stepped in and added additional cues and textural bits to punch up the score. However, a good portion of Morricone’s work remained in the final product and resulted in some of the most gripping passages of the film. The final music is as sparse, ominous, and cold as the Antarctic setting.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609818446468-K91PJDRAKY1P9C5EQJSC/vinyl_phantasm.jpg</image:loc>
      <image:title>List Lair - Top 10 Horror Film Scores - 6. Phantasm (Fred Myrow, Malcolm Seagrave)</image:title>
      <image:caption>Myrow and Seagrave’s music for Don Coscarelli’s weirdo masterpiece is, like the film it accompanies, a mash-up of the decade in which it was created (‘70s) and the decade for which it was paving the way (‘80s). The main theme is a creepy synth motif, the likes of which you would find in many ‘80s slashers, but underlain by percussion and instrumentation straight from a ‘70s rock band. And beneath it all is a lot of heart, just as in the movie. Things shift from moody and menacing to funky and upbeat quickly and effortlessly.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://confluence-of-cult.com/list-lair/top-10-body-horror-flicks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
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      <image:title>List Lair - Top 10 Body Horror Flicks - 9. Tetsuo: The Iron Man (1989; Dir: Shinya Tsukamoto)</image:title>
      <image:caption>More a frenetic cyberpunk music video than a true movie, Tetsuo concerns itself with the slow metamorphosis of an everyday man into an amalgam of flesh and metal and the metal fetishist who’s obsessed with him. This is a collection of surreal black and white imagery and sound and fury. This was one of the first films from Japan to delve into the subgenre and remains a beacon. Tokyo Gore Police (2008) is another great example of Japanese body horror, but had to go with the classic.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817241278-IV2E6NZ83GPMLYAQMHRN/list2_the-fly.jpg</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 3. The Fly (1986; Dir: David Cronenberg)</image:title>
      <image:caption>Videodrome (1983), Rabid (1977), Dead Ringers (1988), Crash (1996), and Existenz (1999) could all have made a version of this list, but The Fly is both Cronenberg’s most disgusting movie and his most human. The slow, gruesome transformation of Jeff Goldblum’s Seth Brundle is all the more excruciating to watch thanks to the genuine chemistry between Goldblum and Geena Davis, as well as the film’s astute observations about the dangers of playing god. The special effects by Chris Walas stand as nearly the best in the history of the horror genre, outdone only by those in the movie that tops this list.</image:caption>
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      <image:title>List Lair - Top 10 Body Horror Flicks</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609816972466-JKXWRMUDU9H0C9T79H7H/list2_hellbound.jpg</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 8. Hellbound: Hellraiser II (1988; Dir: Tony Randel)</image:title>
      <image:caption>This is going to be a somewhat controversial pick, I’m sure. Why not go with Barker’s original Hellraiser? While Hellraiser teased body horror, primarily through body modification and torture, Hellbound went full-on grotesque by positioning both Dr. Channard and Julia on a quest to become cenobites. The scenario allowed a lot more actual bodily transformation in pursuit of human evolution, a concept at the heart of body horror, and Hellbound significantly upped the weird gore quotient and made the original film seem a little quaint in that respect.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817025907-IVEVV3HCEJ20WTLHIC10/list2_society.png</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 7. Society (1989; Dir: Brian Yuzna)</image:title>
      <image:caption>It’s not on purpose that three of the first films on this list were released in 1989; I guess that was just a gross year. Anyway, Yuzna’s moist commentary on class warfare starts out normal enough. Of course, there’s something off about Bill’s high-society family, but he can’t quite figure out what until he begins suspecting his parents and sister are part of a ring of orgies and incest. The truth is somehow even more disgusting, as revealed in one of the most insane finales of all time that showcases the truly mind-bending special effects of Screaming Mad George. In Society, the rich are literally eating the poor, in the sloppiest way possible.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817342355-G74N2LUNK7Y2G4UZDKIH/list2_the-thing.png</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 1. The Thing (1982; Dir: John Carpenter)</image:title>
      <image:caption>Rob Bottin’s ingeniously grotesque effects work in Carpenter’s best movie set the bar unbelievably high -- so high that it’s yet to be topped. No horror movie has ever felt so viscerally impactful. The violence on display in The Thing is both nearly incomprehensibly alien and also painfully human. The alien found beneath the ice not only takes you over, it completely undoes and remakes you in the most savage way possible. Carpenter’s film perfectly captures the isolation and fear created through pandemic.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817184012-16XZJ2Q4YMB6AVTT6R34/list2_invasion-of-the-body-snatchers.jpg</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 4. Invasion of the Body Snatchers (1978; Dir: Philip Kaufman)</image:title>
      <image:caption>In Kaufman’s version of this familiar story, the Second Red Scare is re-imagined as an alien invasion in which people are duplicated through a slimy process that shows off a lot of half-formed, veiny people-things before the original is exterminated. In addition to a special effects extravaganza, this movie is a masterpiece of suspense and allegory, and one of the best examples of body horror as a vehicle for examining human society.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817144200-VU4MN2YZ9KARG250EV8M/list2_taxidermia.jpg</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 5. Taxidermia (2006; Dir: Gyorgy Palfi)</image:title>
      <image:caption>This Hungarian production is more of a surrealist pitch black comedy than a horror film, but it’s every bit as horrific as the other entries on this list. It tells three stories, one for each generation of the same screwed-up family: One is a poor man with tendencies towards bestiality; the next, his son, is a champion speed eater who becomes monstrously obese in his old age; and the last, the speed eater’s son, is an introverted taxidermist, stuck taking care of his obese dad and looking for any reason not to kill himself in an inventive way. It’s a bleak movie that illustrates the extreme effects mental illness can have on the body.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817101309-JXLN465ZWMQVCGUBZSIL/list2_from-beyond.jpg</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 6. From Beyond (1986; Dir: Stuart Gordon)</image:title>
      <image:caption>Gordon’s loose adaptation of the H.P. Lovecraft story, about a scientist who invents a device that allows communication with and travel to another dimension infested by gooey monsters, is probably his yuckiest film. There are a lot of scenes of wet skin in various stages of transformation, sprouted additional appendages, and egomaniacs in search of power and knowledge no matter the cost to their earthly flesh. The great John Carl Buechler (RIP) supplied the astoundingly nauseating special effects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609816798161-RW7XW318GADHWXUKEDTC/list2_leviathan.jpg</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 10. Leviathan (1989; Dir: George P. Cosmatos)</image:title>
      <image:caption>There are “better” movies than Leviathan, but the horrors of the ocean inevitably affect me. The crew of an undersea mining operation are contaminated by genetically tampered vodka and begin mutating into hideous aquatic creatures. The special effects by Stan Winston are fantastic and while Leviathan is a very straightforward monster movie, its mix of great casting, claustrophobic location, excellent creature design, and solid execution make it a movie that’s easy to return to again and again.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1609817305110-ZXMS61GEMRHEKNS7QGDI/list2_alien.png</image:loc>
      <image:title>List Lair - Top 10 Body Horror Flicks - 2. Alien (1979; Dir: Ridley Scott)</image:title>
      <image:caption>Although Scott’s sci-fi/horror masterpiece isn’t overtly focused on violent human transformation, the titular alien’s lifecycle involves a parasitic takeover of a human host that results in the very gory eruption of the creature from the host. Throw in the shades of sexual violence in the adult creature’s appearance and behavior and you have a body horror nightmare set in the confines of space.</image:caption>
    </image:image>
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    <loc>https://confluence-of-cult.com/list-lair/tag/trouble+every+day</loc>
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  <url>
    <loc>https://confluence-of-cult.com/list-lair/tag/tetsuo</loc>
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  <url>
    <loc>https://confluence-of-cult.com/list-lair/tag/the+thing</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://confluence-of-cult.com/franchise-frights</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-26</lastmod>
  </url>
  <url>
    <loc>https://confluence-of-cult.com/franchise-frights/franchise-frights-xtro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610991936340-S5XDWR3D3ZN1DQX0WK7L/franchise_xtro-ii_2.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Xtro - 3. Xtro II: The Second Encounter (1990; dir: Harry Bromley Davenport)</image:title>
      <image:caption>This entry is clearly just an Aliens rip-off, and replicates many of the same sequences: a chest-bursting fledgling, an air duct chase scene, a vertical climb featuring a dramatic foot grab, and even the weaponry here bears a more than passing resemblance to the hip-mounted canons used by Vasquez and Drake. The score, too, is stealing from James Horner’s militaristic music. The alien actually looks really cool, I think, despite being an obvious and clumsy play on the xenomorph queen. Xtro 2 is the worst of the series but it’s entertaining in its idea-theft. It’s tainted a bit by the involvement of Jan-Michael Vincent, whose substance abuse was reportedly at its worst during production and who was generally a pain in the ass who couldn’t remember any of his lines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610991992600-OA2D77OFQ0N35E6XLFXP/franchise_xtro-iii.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Xtro - 2. Xtro 3: Watch the Skies (1995; dir: Harry Bromley Davenport)</image:title>
      <image:caption>Not content with ripping off only one sci-fi franchise, the Xtro series this time leans fully into Predator, with an alien that can cloak itself hunting down soldiers in a jungle. Again, the extraterrestrial looks different, this time resembling a more menacing version of the popular “little green men,” but with a Jim Henson Muppet twist that I think that adds to its surprising creepiness. The alien attacks here are suspenseful and well-directed and the movie briskly goes about its business, but the very limited budget shows up in areas like sound design and acting. But all in all, it’s not too terrible, but again makes one ponder why so little of the peculiarity of the original made its way into this sequel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610991897635-DI9PDHPA3MBIOKLZOJ1Z/thumb_xtro.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Xtro</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610992072418-ZFVYFHZZI07NQLCOO0SD/franchise_xtro.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Xtro - 1. Xtro (1983; dir: Harry Bromley Davenport)</image:title>
      <image:caption>The first film has the distinction of being one of the weirdest horror movies ever made, and certainly neither of the two sequels came close in that regard. It’s sort of amazing how slavishly plagiaristic parts two and three are, despite being directed by the same man who made this craziness. Everything about this movie stands alone, and it even features one of the scariest alien designs put to film. Bromley Davenport’s eccentric synth score is also notable. Xtro isn’t for everyone, but for the people who dig it, it’s something special.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://confluence-of-cult.com/franchise-frights/franchise-frights-the-howling</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610679699736-4HKLSGXWLW2BY4YSE1PY/franchise_howling-v.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling - 3. The Howling V: The Rebirth (1989; dir: Neal Sundstrom)</image:title>
      <image:caption>The Rebirth is barely a werewolf movie, but it’s interesting all the same. It’s set up as more of a murder mystery, with a large cast of characters that find themselves stuck in the same Hungarian castle as they’re killed off one by one. This entry leans heavily into gothic atmospherics and features a really killer score that I wish would get released in some form. The mystery is reasonably intriguing and pays off a bit for fans of the previous entries. The acting is some of the best of the Howling sequels and I love the poster/box art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610678756229-D4DUC71567W5J6TL1EKY/thumb_howling.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610678845467-3FTUUOQNF7PRRJ1XY0WA/franchise_howling-iv.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling - 7. The Howling IV: The Original Nightmare (1988; dir: John Hough)</image:title>
      <image:caption>The fourth entry, which has some of the best poster/box cover art in the franchise, is unfortunately just a dull, though apparently more faithful, rehash of the novel on which Joe Dante’s original film was based. While it follows many of the same story beats, this one is missing all of the fantastic atmosphere, werewolf action, and solid acting of the 1981 classic. There is one really grotesque and striking transformation scene that stands unique in werewolf film, and its primary werewolf design is among the best in the series, but I’m not sure the rest of it is worth trudging through for that.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610678912506-9SP7A2GNTBPZ3G9YGRJB/franchise_howling-vii.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling - 6. The Howling VII: New Moon Rising (1995; dir: Clive Turner)</image:title>
      <image:caption>There’s a reason one of the only decent screen grabs that I could find from this movie is a biker in tie-dye: this funky movie is primarily small-town white folk sitting around in a bar, line dancing and drinking. Sure, there’s a mysterious Australian in town looking for a potential killer werewolf, but the movie is overwhelmingly filled by random tangents involving rural Caucasians doing the stuff they do. It’s sort of a charming watch, because it plays like a passionately but incompetently made local cable access movie, but its lack of actual werewolves hurts it. But I kind of love that this thing was the clear, deliberate vision of one person. Clive Turner is obviously a madman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610679609936-V4790AO5B323N81S6JEM/franchise_howling-ii.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling - 4. The Howling II: Your Sister is a Werewolf (1985; dir: Philippe Mora)</image:title>
      <image:caption>Part II has an outsized reputation for nuttiness that it doesn’t quite live up to. It’s a weird movie, yes, but it never gets as bizarre as you think it’s going to. Nevertheless, there’s a fascinating New Wave vibe to the film, and Sybil Danning and Christopher Lee are both down to get pretty strange here. This movie has some trouble focusing, but there’s plenty to sink your fangs into, from the variety of special effects gags to Danning’s general lack of clothing. Despite not going as bonkers as you’d love, this is one of the most unique entries in the series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610679792082-TP8OLATGQCX83AUZI9D8/list7_howling-iii.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling - 2. The Howling III: The Marsupials (1987; dir: Philippe Mora)</image:title>
      <image:caption>This is my favorite of the sequels, and features a strange concept, helped by some unusual if low-budget special effects work, good music, and a story that goes in like 10 different directions. It never drags and there’s generally always something head-scratching going on. Some of the werewolf suits are so awful, but they fit the overall aesthetic of this thing. The movie also has the strangest denouement ever. Overall, this entry is more of a weirdo dark fantasy than a horror movie, as there are very few scares to be found. Its PG-13 rating is a little to its detriment, but the general weirdness overcomes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610679526358-A85U8PHQ6WH73S80VOGQ/franchise_howling-vi.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling - 5. The Howling VI: The Freaks (1991; dir: Hope Perello)</image:title>
      <image:caption>Set in a carnival freakshow, this entry is more of a special effects extravaganza than most of the films in the franchise, but its werewolf design is really bad. The movie is plagued by a very mundane main character, overall dubious acting, and lifeless execution, though its story makes a valiant attempt at portraying its characters sympathetically. There are some alluring ideas that are sadly tamped down by a severe lack of technical prowess.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610678554473-KY9FPZEL0YO1ONFMNIN7/franchise_howling-reborn.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling - 8. The Howling: Reborn (2011; dir: Joe Nimziki)</image:title>
      <image:caption>This is a competently made film with perhaps the highest production values since the original, but it’s obviously been influenced by then-recent-hit Twilight, in its softer focus on teen romance instead of werewolf menace. It’s the most boring film in a franchise that, while rarely very good, is generally invested in strange ideas. That type of commitment to oddity appeals to me; this movie does not.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610679845579-BOR2YTIG8S09BPA1XB3X/franchise_howling.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: The Howling - 1. The Howling (1981; dir: Joe Dante)</image:title>
      <image:caption>Dante’s original film is my favorite werewolf movie of all time. I love the feral creature designs, the brutal transformations, and their insatiable bloodlust. I feel like this is how lycanthropes should be portrayed: they’re scary and they’re perfectly fine with being creatures of the night — it’s not a curse they’re trying to shed. Dee Wallace is great here, and Pino Donaggio’s music is just sublime, one of the best non-synth scores in horror film history. Horror films don’t get a whole better than The Howling. Like I said at the start: this is an inarguable horror classic.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://confluence-of-cult.com/franchise-frights/franchise-frights-ghoulies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610297759129-ME8YMVM5OA698089JGLP/franchise_ghoulies-ii.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Ghoulies - 1. Ghoulies II (1987; dir: Albert Band)</image:title>
      <image:caption>Charles Band’s father, Albert, took over for the second entry. The filmmakers here wisely looked at what could have worked for the original and actually put those ideas on screen. The fun demon designs are better articulated and appear more plentifully, the carnival setting allows for a great mix of scares and fun, and the cast (anchored by Royal Dano, Phil Fondacaro, and Damon Martin) is really game and provides a lot of heart. Ghoulies II is easily the best of the franchise and real gem of family-friendly horror.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610297919571-NYOWKPYX08W1XL1NZ7T7/franchise_ghoulies-go-to-college.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Ghoulies - 3. Ghoulies Go To College (1990; dir: John Carl Buechler)</image:title>
      <image:caption>Longtime franchise effects artist John Carl Buechler steps into the director role for the third entry, with mixed results. The Ghoulies designs have been updated, but are still recognizable, and the monsters now talk — they never stop, in fact, constantly spewing stupid banter. I guess as should be expected from a movie that takes place on a college campus, this is a very juvenile flick that focuses on the Ghoulies as pranksters on fraternity row. But it’s still kind of entertaining at times.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610299502817-QLH32M262QVHYRYDZOJL/thumb_ghoulies.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Ghoulies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610297719426-CLUN07C4C9M0S6DICJ7K/franchise_ghoulies.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Ghoulies - 2. Ghoulies (1985; dir: Luca Bercovici)</image:title>
      <image:caption>The original is a decent one-location horror movie with fun creature designs that would end up being kind of iconic. But the story is dull and the pacing is very slow. The monsters aren’t given much to do and there’s not much to make the movie stand out other than its relatively influential place in horror history. But it did lay the groundwork for a truly great sequel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1610298035057-03OIVHZKVHC5FM4TO4EW/franchise_ghoulies-iv.jpg</image:loc>
      <image:title>Franchise Frights - Franchise Frights: Ghoulies - 4. Ghoulies IV (1994; dir: Jim Wynorski)</image:title>
      <image:caption>By this point in the franchise, any semblance of the original film had evaporated. What’s left is one of the worst movies I’ve ever seen. It’s cheap and dull, and it completely ditches the classic Ghoulies designs in favor of half-assed trolls in bad makeup who are the good guys this go-round, though they’re very minor in the grand boring scheme of things. Just absolute garbage that should be avoided.</image:caption>
    </image:image>
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      <image:title>Sonic Scares - Sonic Scares: Fabio Frizzi’s “City of the Living Dead”</image:title>
      <image:caption>Cover art for Death Waltz’s vinyl release. Art by Graham Humphreys.</image:caption>
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      <image:title>Interviews - Interview: Christopher Bickel</image:title>
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      <image:title>Essays - Roger Corman: Slinger of Sleaze, Connoisseur of Carnage, Incidental Feminist</image:title>
      <image:caption>Largely, it seems as though the women filmmakers who worked with Corman have found abiding by his on-screen carnal demands to be a fair trade-off for the opportunities he provided, but there have been instances of on-set strife. Barbara Peeters, who directed Humanoids from the Deep (1980) after Joe Dante turned it down, left the film disenchanted by Corman’s demand that the monsters “kill all the men and rape all the women.” Though he apparently felt Peeters adequately captured the graphic violence, he hired second unit director James Sbardellati to film additional scenes of gratuitous nudity and sexual assault. Corman’s actions prompted Peeters and star Ann Turkel to request their names be removed from the film — a request Corman denied. While, at least for sales intent (which may have trumped all other intents), Corman preferred his female characters naked at specific points in his movies, he also preferred their resourcefulness and agency. Of this, he’s said, “A number of [New World Pictures films] featured women as the leads, and several times the writer would send in a script in which the girl’s boyfriend would come in and solve the problem for her, and I said, ‘No, the girl must solve her own problem.’ So, there was a little bit, not a great bit, a little bit of a feminist movement, a liberal movement, and a little nudity.”</image:caption>
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      <image:title>Essays - Roger Corman: Slinger of Sleaze, Connoisseur of Carnage, Incidental Feminist</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ff395f88500a82fe9df6b8b/1620424743360-ZTTTKWJJ5O3GWJRDLZF8/list-women_slumber-party-massacre.jpg</image:loc>
      <image:title>Essays - Roger Corman: Slinger of Sleaze, Connoisseur of Carnage, Incidental Feminist</image:title>
      <image:caption>The 1982 original was helmed by Amy Holden Jones and based on a script from feminist author Rita Mae Brown. Though Brown’s original screenplay reflected a much more serious film that actively skewered slasher cliches, Holden’s broad rewrite still includes some of the feminist intent while checking boxes for a New World Picture. The movie simultaneously features one of the most infamously leering scenes of nudity in horror (a lengthy shower scene in which the camera spends long moments zoomed on boobs and butts, included of course by Corman’s request) and one of the genre’s more blatant depictions of an impotent male killer, infuriated and emasculated by his misogyny. The “driller killer” is named Russ Thorn, a bland name that sounds like someone’s lonely uncle, never married, kind of grumpy. He looks completely nondescript (well, as nondescript as someone outfitted entirely in denim can be). He wields a comically oversized drill that is ultimately “castrated” by the larger machete of the female hero. Rewarding the film’s success, Corman then financed Jones’ passion project follow-up, Love Letters, a romantic drama starring Jamie Lee Curtis.</image:caption>
    </image:image>
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